Browsing Tag

Clowns

Posted on October 6, 2020

Deconstructive Nostalgia in Clown in a Cornfield

Guest Post

Adam Cesare’s first YA horror novel Clown in a Cornfield delivers exactly what it promises from the title. High school senior Quinn Maybrook, a city girl from Philadelphia, moves with her father to the rural town of Kettle Springs, Missouri, after a family tragedy. They’re looking to move on from this trauma, and so it’s ironic that they settle in Kettle Springs, a town rooted in the past. Quinn quickly assimilates into the surprisingly vibrant youth culture in the town, but she soon learns that not everyone is so fond of the town’s teens. The majority of the novel takes place over the course of one night, as a group of killer clowns attack Quinn and her new friends.

So, why killer clowns? As Brandon Cornett’s article on creepy clowns claims, clowns are terrifying because of their inherent unknowability. Their true emotions are hidden through the use of a painted-on facial expression that’s often overly exaggerated. Clowns fit well within the realm of the uncanny valley: they look one way, but, in the case of horror films, commit acts of violence that don’t always add up with their outward appearance – cheerful and animated. Read more

Posted on July 14, 2020

From Poltergeist to Pennywise: Why Creepy Clowns Scare Us

Guest Post

In 1982, my family piled into our Ford station wagon and headed for the local theater to see Poltergeist. I was ten at the time, the youngest of four children. Ten is an age where you begin to fear things on a deeper, more cerebral level. But the movie was rated PG, so we went with it.

Today, this movie would easily warrant the stronger PG-13 rating. But there was no PG-13 in 1982. It was either G, PG or R. So the Motion Picture Association went for the middle ground. Bear this in mind, as we revisit the movie through the eyes of a ten-year-old.

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Posted on September 8, 2017

Not so Funny: The Peculiar History of the Creepy Clown

Guest Post

Clown hysteria may seem relatively new, but it is hardly a modern phenomenon. For many audiences over the centuries, the clown’s seemingly joyous face has detracted from something more sinister—some darker, hidden quality in the character. As a type, the creepy clown comes to us from centuries past. Like Pennywise from Stephen King’s IT, the clown is the monster that escapes a prior age, returning once again to stalk our nightmares.

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