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survival horror

back view of a man who looks in the distance while a wolf howls
Posted on August 29, 2021

Surviving Winter and Nature in The Long Dark

Guest Post

In the dead heat of August, I often find myself longing for the depths of winter. With the tail-end of summer upon us, I’ve been satisfying that longing by playing Hinterland Studio’s The Long Dark, a video game set in a seemingly endless Canadian winter on an abandoned island where you are forced to fend for yourself. Perhaps survival isn’t your idea of escapism, but The Long Dark offers something much more unnerving than an idyllic tromp through the snowy woods. Specifically, The Long Dark’s horror as a survival game rests on the premise of ecophobia, the ever-present threat of nature, the very real limits of the human body, and the intrusions of the past. The Long Dark reveals that survival is a constant confrontation with the mundane horror of homeostasis.

The Long Dark is by no means a new game—it was released in 2014 as a sandbox-type survival game, and it is the survival mode that this piece will focus on. Later, Hinterland added a story mode, and by then it had gained a loyal following of fans. Survival mode has varying degrees of difficulty: Pilgrim, Voyageur, Interloper, and Stalker. While Pilgrim is fun for new players who want a more atmospheric experience, Voyageur is a good mix of animal-threat and atmosphere that will frequently push your character to its limits. Read more

Body at Brighton Rock
Posted on April 28, 2019

Body at Brighton Rock – Excellent New Wilderness Horror

Dawn Keetley

Body at Brighton Rock (2019) is the first full-length feature film directed (and written) by Roxanne Benjamin, and it demonstrates that she is indeed a horror director to watch. Benjamin has also written and directed the “Don’t Fall” segment of the excellent all-female horror anthology XX (2017), which I review here. She also directed and co-wrote the “Siren” segment of Southbound (2015), reviewed here. Both of these provocative short films demonstrate what seem to be emerging themes of Benjamin’s work: a seamless blending of the supernatural and the psychological—especially when it comes to vulnerable (e.g., frightened, guilty) characters; and a preoccupation with landscape and the ways in which open, desolate land presses on characters’ weaknesses.

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Posted on July 11, 2017

Man Vs.: Horror, Philosophy, Nature

Dawn Keetley

Horror films are important not least because they so often dramatize fundamental philosophical questions. I just watched an extremely interesting (and definitely underrated) horror film, Adam Massey’s Man Vs. (2015). I did so at the same time that I was reading an essay by Canadian philosopher Karen Houle about the importance of the language we use when talking about the natural world.[i] At one point in her essay, Houle quotes from Martin Heidegger, a quote that struck me as providing a great lens through which to watch Man Vs.

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