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The Fog

Posted on December 28, 2015

Formless Horrors: John Carpenter’s The Fog (1980)

Dawn

John Carpenter’s first three horror films—Halloween (1978), The Fog (1980), and The Thing (1982)—are not only exceptional films, but, taken together, they constitute a kind of trilogy in their similar exploitation of the horror of formlessness.

Halloween may be the film least self-evidently about formlessness (its monster is “human,” after all), but I would suggest that Michael Myers actually stands in defiance of all categories. He is called the “bogeyman” more than once, including at the climax of the film, when a traumatized Laurie (Jamie Lee Curtis) stammers out to Dr. Sam Loomis (Donald Pleasence)—“It was the bogeyman.” Kendall Phillips has pointed out that the bogeyman occupies a position “at the boundaries of notions of cultural normalcy”—and that he “embodies the chaos that exists on the other side of these cultural boundaries.”[i] True to form (or, rather, true to formlessness), Michael-as-bogeyman is often portrayed at boundaries—at intersections, on the other side of a road, in doorways, at windows.

1. Michael drives by Loomis

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