My most awe inspiring encounters with nefarious rabbits include the first time I laid eyes on the massive black costume of “Bunny” while at a rave with Rabbit in the Moon and the first time that my innocent anticipating eyes consumed the film Watership Down (1978). While both of these are definitively scary (and potentially traumatizing), they do not encompass the spirit of Easter. If your family is anything like mine, nothing spells holidays like some old fashioned repression and subsequent bursts of aggression (or passive aggressiveness in our house). For all of you who can appreciate laughing at inappropriate times and poking fun at established traditions, then this list is for you!
2016 has been a bad year in so many ways (there’s even been a horror movie made about it!) but there were some fantastic horror films released this year—and here’s our top ten. These are all terrifying films, but thought provoking at the same time. So I don’t get repetitious, let me say from the beginning that all ten of these films are superbly acted and directed. And if there’s one of them you haven’t seen yet, make it a new year’s resolution!
Endings are crucial in horror. During the reign of the Motion Picture Production Code (1934-1968), evil had to be punished, which obviously dictated a certain kind of ending—an inevitable and often abrupt closure that restored the status quo. (Remember the evil Rhoda Penmark in The Bad Seed , struck by lightning at the end, a conclusion most definitely not in the novel.)
It wasn’t until 1968, after the demise of the Code, that modern horror saw its first truly shocking and nihilistic ending in George A. Romero’s The Night of the Living Dead. The protagonist of the film (Ben [Duane Jones]), who was the sole survivor of a night of carnage after a group trapped in a farmhouse were attacked by ghouls arisen from their graves, was shot in the head by a posse “cleaning up” the staggering zombies. There was closure here, but it wasn’t about the destruction of the monster but of the good guy. And, if order was restored (which is arguable), it was indiscriminately brutal. Then came the slashers of the 70s and 80s and, as great as many of them are, they did usher in the kind of ending that unfortunately still prevails in much horror: monster dies; monster isn’t dead; monster is even more angry; cue sequel. Such endings can be shocking, but the shock is cheap, and it really isn’t that shocking after you’ve watched enough of them. Read more
I should preface this by stating that I was traumatized by Girl Scout camp long before I saw any of these films. I was an awkwardly shy kid away from home for the first time in the middle of nowhere with only one friend. The food sucked, the lake was icky (reminded me of “The Raft” segment from Creepshow 2 ), and I swear I pulled latrine duty every time. Frankly, I might take a night at Camp Bloodbath before I would go back to Girl Scout camp. By no means do I shudder from the great outdoors, but let’s just say I would take my chances in an urban jungle long before I would canoe down the Cahulawassee River looking to play Dueling Banjos with the locals. From a horror film stand point, I just feel as if things work out better for folks in the city than in the woods. Whether it is a vacation getaway in the woods, a week at summer camp, or some time to hone your cheerleading skills, these films offer little respite for the weary. As we embark on the summer of 2016, maybe some of these films will help you decide whether you would rather camp along the Appalachian Trail or book a room at the Hyatt this year.
I was watching the SyFy channel last night and blissfully re-indulged in the 2012 film, The Possession. During the commercial breaks (yup, no DVR here folks) I had an average of 2-4 minutes to ponder random things. Why did Rachel Maddow show up as my college roommate in my dream last night? And, more importantly, why are there so many boxes in horror films!? Of course, when I have important things to do like write a dissertation, I suddenly found it much more imperative to test my horror knowledge and see how many horror films prominently feature boxes. Every good scientific experiment needs rules, and I decided to rule out boxes in the forms of coffins, sarcophaguses, music boxes, jack in the boxes, and other banal background boxes.
I thought to myself, people love to look at why horror features so many clowns, children, and dolls, so why not boxes and crates?[i] Whose curiosity isn’t piqued by a mystical box that holds treasures unknown? Take for instance the story of Pandora’s Box, eons of pirate treasure stories, and geeks like myself who will scour the area in hopes of finding a geocache that is probably only filled with a pencil and a button. Boxes evoke the unknown; they conceal and contain both wondrous and horrible things. And in many of these films, the boxes hold a component of weighty choice…a path not taken or a rule broken. Each container holds a picture of what we reveal, what we hide, and who we are. I hope you will join me in avoiding real work to enjoy this list with me! (Beware of some plot spoilers) Read more