Artwork by Andrew Foley

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THE HORRORS OF DOLLS AND THEIR HOUSES

Dawn Keetley and Elizabeth Erwin

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“THE THING IN THE HOUSE”: INTRUSIVE DOLLS AND UNCANNY DOLLHOUSES IN AGATHA CHRISTIE’S LIFE AND WRITING

Charlotte Yule

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BIGGER ON THE INSIDE: TWILIGHT ZONE’S “MINIATURE” AND ITS MUSIC

Linda Ganus

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TOTTIE: A DREADFUL DOLLS HOUSE IN THE FOLK GOTHIC CANON

Alice Sage

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BENEATH THE DOLLHOUSE: NAVIGATING THE EXTERIORITY AND INTERIORITY OF GIRLHOOD IN HBO’S SHARP OBJECTS

Sarah Fevri

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DOLLS AND DOPPLEGANGERS: THE DOLLHOUSE AS TACTICAL MAP IN PAUL FEIG’S THE HOUSEMAID 

Laura Wright

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AN ORNAMENTAL CAGE: A HOUSE OF DOLLS AND UNEASY DESIRE IN EMERALD FENNELL’S WUTHERING HEIGHTS

Raquel Souza

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TRAUMA ESCAPES THE DOLLHOUSE: MINIATURIZATION’S FAILURE IN THE AWAKENING

Dawn Keetley

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A HOUSE MADE SMALL ENOUGH TO SURVIVE: MINIATURE DOMESTICITY AND QUIET HORROR IN SHIRLEY JACKSON’S WE HAVE ALWAYS LIVED IN THE CASTLE

Tess Ezzy

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DON’T COME AND KNOCK ON MY DOOR: THE HAUNTED DOLLHOUSE IN ONE’S COMPANY: A NOVEL

Elizabeth Erwin

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THE MONSTER IS DIFFERENCE MADE FELT: CUTENESS IN SEARCH PARTY’S “THE GIRL IN THE BASEMENT”

Gabrielle Sinclair Compton

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LITTLE ANGELS, BAD DOLLS: GIRLHOOD AND SUSPENDED ANIMATION IN LONGLEGS

Emily Naser-Hall

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“I WANTED TO DECAPITATE MY DOLLS MORE EFFICIENTLY”: HORROR, CHILD/TEEN AGENCY AND SUBVERSIVE PLEASURE IN NETFLIX’S WEDNESDAY

Lindsey Scott

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THE DEVIL’S PLAYTHINGS: DOLLS, MANNEQUINS AND DIABOLIC DETERMINISM IN MARIO BRAVA’S LISA AND THE DEVIL

Paul A J Lewis

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AN ORIGINAL AMERICAN: THE ANTEBELLUM DOLLHOUSE AND ITS INHABITANTS IN TALES FROM THE HOOD’S “KKK COMEUPPANCE”

NelRae Toler

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PERFECT PLAYTHINGS: THE FLAWLESS FALLACY OF DOLLHOUSE

Catherine Pugh

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PSYCHOLOGICAL HORROR AND PARASITIC-PSYCHICAL PUPPETRY IN RESIDENT EVIL VILLAGE

Rebecca Booth

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DOLLMARE AND THE HORRORS OF CAPITALISM

Jeff Ambrose

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CONTRIBUTORS

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