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PREFACE: THE NEO-SLASHER

Dawn Keetley

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HACK THE PAST: WE WILL NEVER BE BROKEN

Kelly Gredner

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SUBTLE SEXUALITY AND QUIET FEMALE RAGE IN ALL THE BOYS LOVE MANDY LANE

Jerry J. Sampson

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LIBERATION OF THE FINAL GIRL: BLACK CHRISTMAS AND FEMINISM IN THE CONTEMPORARY SLASHER

Julia Aloi

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WHEN THE MONSTER IS SECONDARY: GRIEF AS FINAL GIRL FOE

Elizabeth Erwin

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LAURIE STRODE: AN EXPLORATION OF TRAUMA IN THE SLASHER FILM

Vince A. Liaguno

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AND STILL IT COMES: FATE AND MORTALITY IN THE HALLOWEEN FRANCHISE

Gwyneth Peaty

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FATE IN THE URBAN SLASHER: DALLAS JACKSON’S THRILLER

Dawn Keetley

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A TALE OF TWO POST-9/11 REMAKES: THE TEXAS CHAINSAW MASSACRE (2003) AND THE HILLS HAVE EYES (2006)

Brian Fanelli

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NEGOTIATING FRANCHISE IDENTITY IN TRAILERS FOR NEO-SLASHER REMAKES AND REBOOTS

Nick Redfern

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IS THE SLASHER ALIVE OR DEAD?: CONFLICTED GENRE DISCOURSE AND THE CONTINUED RETURN OF MICHAEL MYERS

Alex Svensson

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THE EYES HAVE IT ON THE MIDNIGHT MEAT TRAIN: VOYEURISM, POWER, AND PRIVILEGE IN THE CITY

Paul A.J. Lewis

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DEATH PROOF: RECONTEXTUALIZING THE SLASHER GENRE

Douglas Rasmussen

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THE STRANGERS: THE CULMINATION OF THE DEPRAVED FAMILY IN SLASHER FILMS AND THE REFORMATION OF THE NUCLEAR FAMILY FOR THE 21ST CENTURY

Conner McAleese

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TECHNOLOGY, MEDIA, AND THE SLASHER FORMULA IN SCREAM 4

Taylor Cole

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“THEY’RE WATCHING EVERYTHING”: PREYING UPON PARANOIA IN THE 21ST CENTURY CYBER-SLASHER

Colby D. Johnson

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FINAL GIRLS IN FEAR STREET

Emma Kostopolus

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UNBURY YOUR GAYS: QUEER FINAL GIRLS IN NETFLIX’S FEAR STREET TRILOGY

Rebecca Gibson

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ADAM CESARE’S CLOWN IN A CORNFIELD: THE NOT-SO-EVILS OF TECHNOLOGY AND GENERATIONAL CONFLICT IN THE SLASHER

Destiny Bonilla

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FINAL GIRLS 2.0: REIMAGINING A SLASHER STAPLE IN GRADY HENDRIX’S THE FINAL GIRL SUPPORT GROUP

Melissa C. Macero

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CONTRIBUTORS

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