There is a debate among scholars, psychoanalysts, philosophers, and spectators as to the allure of horror. Generally speaking theories include manifesting repressed feelings, seeking to see others punished / survive, sensation seeking, purging of emotions, and as an outlet for societal ills.[i] In an attempt to weigh in on this discussion I argue that the allure of horror films is largely linked to the acceptance of the darkness in our hearts. It is about the gratification of letting your socially uncomfortable traits frolic amongst the others for 90 minutes. [ii] While this may seem dangerously close to the catharsis school of thought, I diverge by adding a few other mechanisms. For one, I don’t feel as if we need to be purged of these feelings that society deems undesirable. Furthermore, I believe there are three overarching components to the enticement of horror films: 1) engagement in the illicit; 2) the comprehensive, visceral body sensations; 3) and most importantly, the admission that we all have a dark side.
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Sometimes life forces you into hard decisions. For example, whether you should watch the new episodes of Intervention on A&E or test out Lifetime’s new series The Lizzie Borden Chronicles. While neither will disappoint if you enjoy drama and suspense, The Lizzie Borden Chronicles premiere episode (airing on 4/5/15) was surprisingly AMAZING! This new series follows on the success of the Lifetime Movie Lizzie Borden Took an Ax (original air date 1/25/14) which chronicled the Borden murders and subsequent trial. The new series picks up in the aftermath of Lizzie Borden’s acquittal. While I did enter into the series with low expectations, I certainly will not make the same mistake after watching the first episode.
Gore Verbinski’s The Ring centers on an infamous videotape and was released, ironically, at the very moment in time (2002) that VHS was becoming obsolete, replaced by digital recording technologies. I recently taught the film, wondering if it still has anything to say, thirteen years later, now videotape truly is obsolete. I’m convinced, after another round of watching it, that The Ring is still very relevant. In fact, the film’s fundamental message—that the media are taking “us” over, replacing “brain cells” with images—is more true today than it was at the beginning of the millennium.
APRIL FOOL’S DAY
R | 89min | 1986 | USA | Fred Walton
Synopsis: A group of wealthy college co-eds escape to a private island to celebrate spring break. They have little idea that their April Fool’s weekend is no laughing matter.
Review: ‘April Fool’s Day’ is no laughing matter.
Some columns for Flow written in 2013 – 2014 on Showtime’s /Dexter/, AMC’s /The Walking Dead/, and FX’s /American Horror Story