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Dawn Keetley

Posted on October 23, 2015

9 Questions Paranormal Activity: Ghost Dimension Must Answer

Dawn Keetley

The sixth and possibly final installment of the Paranormal Activity series (2007 – 2015), Ghost Dimension, is due out today (Friday October 23)—in limited release—and the word is it will answer all fans’ questions about the franchise.

So, what questions do we have? As it turns out, I, at least, have plenty.

-1. Most pressingly, what do the witches (and Toby) want?

Hints about what the witches and their demonic leader, Toby, want have been slowly doled out across all five films, but they are still not at all clear. They seem mostly to be after boys. In PA2, Kristi’s step-daughter Ali reads something online about how people have been known to make a demonic pact by which they get power or wealth in exchange for offering up the first-born male in their family. The suggestion is that Kristi and Katie’s grandmother (Lois), who is part of a coven of witches, made such a pact and so Toby now wants Kristi’s son, Hunter.

The coven clearly pre-dates Lois, though, since, in PA3, Dennis shows Kristi and Katie’s mother, Julie, a photograph of a witch coven from the 1930s and reads from a book about a ceremony by which the witches would take the sons of pregnant girls, brainwashing them (it’s not clear if they brainwash the boys or the girls) so they remember nothing.

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Posted on October 17, 2015

Knock Knock (2015)- Rape & Revenge?

Dawn Keetley

KNOCK KNOCK: RAPE AND REVENGE?

Synopsis: While his wife and children are at the beach, Evan (Keanu Reeves) opens the door late at night to find two apparently stranded rain-drenched young women—Genesis (Lorenza Izzo) and Bel (Ana de Armas)—at his door. He lets them in, lets them dry their clothes, and calls a car for them. They successfully “seduce” him, however, which begins their sadistic weekend-long “game” with him.

Genesis (Lorenza Izzo) and Bel (Ana de Armas) arrive at the door

Eli Roth’s Knock Knock has been receiving mostly dismal reviews, as well as a few more outraged assessments. Revenge Honey of The Horror Honeys launches an angry attack on the politics of the film, and she nails its more objectionable qualities—its racism and homophobia as well as the way it can certainly be viewed as making a mockery of child abuse. She writes that she considers the film “frontrunner for the worst film of 2015” and that it’s “downright disgusting.”[i]

I get how someone could feel that way about Knock Knock, but then horror films are supposed to push people’s buttons—and “downright disgusting” is a phrase that signals there’s probably something interesting going on.

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Posted on October 11, 2015

THE INHABITANTS (2015)

Dawn Keetley

I’ve been watching a fair number of low-budget, independent horror films of late, and the vast majority of them never make it to this site: either I stop watching or they’re too bad to review. The Inhabitants is an exception and I definitely recommend you rent it when it’s released on October 13.

It’s written and directed by Michael and Shawn Rasmussen, whose previous credits include Dark Feed (2013), which they wrote and directed, and The Ward (2010), a John Carpenter film for which they wrote the screenplay.

One of the great things about The Inhabitants, aside from its undeniable creepiness, is its simplicity. It focuses unrelentingly on a couple, Jess (Elise Couture) and Dan (Michael Reed), who buy the March Carriage Bed and Breakfast Inn, intending to live out Jess’s dream of running a B&B. The attention of the film stays on the couple, resisting distractions, as stranger and stranger things start happening, and as the film drives toward a gruesome and chilling ending.

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Posted on October 10, 2015

Top 10 Zombie Films: Food for Thought

Dawn Keetley

It’s the premiere of season 6 of AMC’s The Walking Dead this weekend (October 11, 2015), and I have to start by saying that the series is, hands-down, in my humble opinion, the best zombie narrative in every way ever. But . . . when you’re not watching The Walking Dead, you have plenty of great films to sate the appetite for quality zombie fare.

There are also lots of lists out there detailing the best zombie films. (I found Zomboy’s Top 10 Zombie Movies on Bloody Disgusting to be one of the best, covering everything from the classics to the parodies.)[i]

I want to put a slightly different spin on things, offering you what I think are the ten most provocative zombie films. They’re great films—and they’ll also make you think.

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Posted on October 9, 2015

The Walking Dead and the Return to the Forest

Dawn Keetley

With the upcoming release, in early 2016, of Jason Zada’s The Forest, with its retelling of Japanese myths of people going to the Aokigahara Forest to die, I’ve been thinking about the return, as it were, of plants, trees, forests in recent horror film and TV. Not least in AMC’s The Walking Dead.

The Walking Dead is, of course, shot (and mostly set) in the beautiful lush landscapes of Georgia—and I definitely felt the absence of the richly enveloping, even devouring, vegetation as I was watching Fear the Walking Dead’s LA landscapes.

The vegetation of The Walking Dead is much more than background, though. There is a resonant connection between the vegetation and the walkers. Not least walkers often lurk in and stagger through fields and forests, blending in more and more as they decay.

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