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Crawl alligator
Posted on July 16, 2019

Crawl: This Summer’s Must-See Naturalistic Creature Feature

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For anyone who wished that last year’s shark movie The Meg had an R rating instead of a PG-13 rating, then Crawl won’t disappoint. Director Alexandre Aja’s alligator flick is a fun and gory romp, a nail-biting thriller with naturalistic undertones. While the film may not have as much to unpack as other horror hits this summer, namely Ari Aster’s Midsommar, it’s a wild ride that should titillate horror fans and make for a fun time at the movie theater.

The plot of Crawl, which is expertly written by Michael Rasmussen and Shawn Rasmussen, is straightforward. College swim star Haley (Kaya Scodelario) returns to her childhood home in Florida to locate her father, Dave (Barry Pepper), a recent divorcee who went missing after he was attacked by a gator while trying to fix a pipe in the basement, amidst a Category Five hurricane. It’s probably best not to question why he didn’t just evacuate instead of worrying about home repairs. The film includes some family drama and internal demons, but generally, the plot is straightforward without much subtext. Read more

Stranger Things
Posted on July 14, 2019

Stranger Things Season 3 Provides More Gore, More Queer, and More Female Fierceness

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Season three of the Duffer brothers’ mega-hit Stranger Things has the fizzy pop feel of a high school rom-com seasoned with heavy dashes of cold war paranoia and splatter-gore grossness of 80s era films. Bowl cuts, bi-levels, and rainbow bright attire are set amidst a sinister Russian operation housed beneath Hawkins’ flashy new Starcourt mall. Extending the series’ admixture of horror and sci-fi elements, the new season regales viewers with exploding rats, human bodies turned into melted piles of blood-tinged gloop, and a gigantic excrement-hued monster.

The season, like the previous two, nods extensively towards iconic horror and sci-fi films. This intertextual aspect of the series, which includes enough Easter Eggs to make even the most avid egg-hunter happy, is most extensively informed by works from Steven Spielberg, Stephen King, and James Cameron. Yes, that’s right, all dudes.

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Posted on July 4, 2019

Natalia Leite’s M.F.A. and Survival, Eastwood Style

Guest Post

In Natalia Leite’s 2017 M.F.A., a timid third-year Fine Arts student Noelle (Francesca Eastwood) voices the riposte, “I guess that depends on what law you break” to a women’s student group as its leader condescends to her frustration at Southern California’s exclusive Balboa (actually Chapman University) campus’s complicit rape tolerance policy by warning her that, “If you break the law, there will be consequences.”

This administration-friendly group endorses Rohypnol-sensitive nail polish and keeps busy raising funds to support a woman in Rio de Janeiro who was gang-raped by thirty-three men (the number of assailants and the distant crime site inspires them to name their initiative, ‘Heroes for Rio’): here, Noelle’s protest situates the logic of a truly feminist rape-revenge horror film: patriarchal systems of law force rape victims to take the law into our own hands in order to survive. Read more

Posted on May 31, 2019

Monstrous Relationalities in Alan Moore and Stephen Bissette’s Swamp Thing

Guest Post

In anticipation of the upcoming web television series Swamp Thing (set to premiere on May 31, 2019 on the DC Universe streaming service), we have been asked to offer a “teaser” of our chapter about the comic series published in the 2016 anthology collection, Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, co-edited by Dawn Keetly and Angela Tenga. While the television series may draw from any of the various versions of the Swamp Thing character put forth since its initial creation by Len Wein and Bernie Wrightson in a 1971 issue of House of Secrets, our essay looks specifically to Alan Moore and Stephen Bissette’s version, which saw a complete overhaul of the Swamp Thing canon and included a small but significant twist in the titular character’s origin story. Read more

Posted on May 24, 2019

Black Summer and Zombie Minimalism: Leaving the Horde Behind

Guest Post

Black Summer (2019) has polarized critics and undead fans. Some have called the show a rejuvenation of the zombie genre and others have balked at the story’s zombies and its ending. Wherever the critics and undead-lovers land on the series, there is no mistaking that Black Summer brings a new take on old lore. However, in a landscape of continually evolving interpretations of the walking flesh eater–Train to Busan (2016), Cargo (2017), The Dead Don’t Die (2019), etc.–Black Summer innovates by opposing the massive hordes and the deadeye heroes of current zombie films and television. In doing so, Black Summer masters a minimalistic horror that reignites the fear of the living dead. Read more

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