As Women In Horror Month draws to an end, I wanted to bookend our discussion of the final girl with the character who, I feel, best depicts forward momentum. In order to see a clear trajectory I had to reflect upon Dawn’s discussion of Carol Clover and subsequently consider the criticisms mentioned by others such as BJ Colangelo and noted scholar Isabel Cristina Pinedo. [i] I agree that there are problematic components embedded within the final girl, much of which has to do with the assumption of male spectatorship. Nonetheless, I feel that there are positive representations of womanhood in recent horror film. Most notably, is the character Sarah Logan (played by Anne Ramsay) in The Taking of Deborah Logan (2014).
Sarah Logan is the last woman standing. Granted, The Taking of Deborah Logan is not a slasher, and Sarah Logan is not your stereotypical final girl. Regardless, Sarah Logan is the survivor: she meets the killer, takes it on, and defeats it (or so we hope). This is as far as Sarah Logan follows the formula Carol Clover laid out for the final girl. Sarah is a lesbian in a relationship who has temporarily left her lover in order to care for her ailing mother. What I love most about Sarah is that she is a realistic representation of womanhood. She is vulnerable; we see her struggle, trying to make financial ends meet while balancing her relationship with the nebulous task of managing her mother’s Alzheimer’s. Sarah is flawed, she is scared, uncertain, she drinks to manage her stress, and she sometimes needs help from others. Read more