Browsing Tag

Folk Horror

Without Name
Posted on March 16, 2019

7 Exceptional Recent Irish Horror Films Ranked

Dawn Keetley

Irish horror film has definitely been undergoing a renaissance recently and so, for this St. Patrick’s Day weekend, I’ve created a list of the best recent Irish horror, ranked. They are all excellent, though. Click on the “Read more” link to get the full review and the trailer.

The Hallow

Bojana Novakovic as besieged mother in The Hallow

  1. The Hallow (Corin Hardy, 2015). Irish folk horror film, The Hallow follows a couple, Adam and Claire Hitchens (Joseph Mawle and Bojana Novakovic), along with their baby, Finn, who go to stay in a house deep in the Irish forest, which has just been sold for development. They discover there is a frightening truth to local folklore about “the hallow”—fairies and other supernatural creatures who want humans to stay out of their woods. Read more.

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Tractate Middoth
Posted on February 26, 2019

Want to Know about Folk Horror? Read This

Dawn Keetley

I’m co-organizing a conference on folk horror at Falmouth University September 5-6, 2019 (check out the call for papers), and so I thought I’d get a running bibliography going of the great stuff that’s been written about folk horror. You’ll find it below, and I’ll be regularly updating it. Please add things I’m missing in the comments or message me.

Some things are linked, but, for some, you may have to go traipsing through old, possibly haunted libraries. The lead image here is from “The Tractate Middoth” (2013), Mark Gatiss’s TV adaptation of the story by M. R. James, a man who knew all about haunted libraries.

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Calibre
Posted on February 6, 2019

Calibre – New Folk Horror?

Dawn Keetley

Calibre is a brilliant Scottish thriller released in 2018 and directed and written by Matt Palmer, who has previously made two short horror films, The Gas Man (2014) and Island (2007). The film features two late-twenty-something men, Vaughn (Jack Lowden) and Marcus (Martin McCann) who head from Edinburgh up into the Highlands to hunt, an activity Vaughn is less than enthusiastic about. They arrive at the Highland village of Culcarran (filmed on location in Leadhills and Beatock in South Lanarkshire) and head straight out for a raucous night at the local pub, replete with enticing local girls. Vaughn, who has a pregnant fiancée, resists temptation and only talks with Iona (Kate Bracken), but Marcus does rather more with the clearly dangerous Kara (Kitty Lovett). Despite hangovers, both men head off the next morning to hunt deer, as planned, but they’re involved in a terrible accident and almost immediately lose control of the spiraling, out-of-control consequences.

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Pet Sematary
Posted on January 12, 2019

Transgressing Grief: Talking Pet Sematary (1989)

Elizabeth Erwin

Love it or hate it, Pet Sematary (1989) remains one of the most controversial entries in the Stephen King cinematic oeuvre. Today we are diving into this controversial examination of grief and looking at all the ways in which the movie transgresses against cultural taboos. Does the movie’s most shocking moments still hold up?

The entire Horror Homeroom crew is here and we’re talking Jud’s questionable nature, what Zelda brings to the story, whether we should be watching the movie as folk horror and so much more!


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Apostle
Posted on October 14, 2018

3 Films That Explain Apostle

Dawn Keetley

Obviously my title here is reductive. No three films can explain any other, especially when that other film is Apostle, the enormously rich new folk horror film by Gareth Evans. But this is a series we’re running (3 films that explain another)—and these three films do explain some things about Apostle, if not everything.

They are The Wicker Man (Robin Hardy, 1973) –not surprising because so far virtually everyone has compared the film to Hardy’s classic folk horror film—The Village (M. Night Shyamalan, 2004 ), and mother! (Darren Aronofsky, 2017), a film I express my loathing for here, but which is nonetheless an important film.

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