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nature

Crawl alligator
Posted on July 16, 2019

Crawl: This Summer’s Must-See Naturalistic Creature Feature

Guest Post

For anyone who wished that last year’s shark movie The Meg had an R rating instead of a PG-13 rating, then Crawl won’t disappoint. Director Alexandre Aja’s alligator flick is a fun and gory romp, a nail-biting thriller with naturalistic undertones. While the film may not have as much to unpack as other horror hits this summer, namely Ari Aster’s Midsommar, it’s a wild ride that should titillate horror fans and make for a fun time at the movie theater.

The plot of Crawl, which is expertly written by Michael Rasmussen and Shawn Rasmussen, is straightforward. College swim star Haley (Kaya Scodelario) returns to her childhood home in Florida to locate her father, Dave (Barry Pepper), a recent divorcee who went missing after he was attacked by a gator while trying to fix a pipe in the basement, amidst a Category Five hurricane. It’s probably best not to question why he didn’t just evacuate instead of worrying about home repairs. The film includes some family drama and internal demons, but generally, the plot is straightforward without much subtext. Read more

Posted on April 22, 2018

Ecohorror: The Nature of Horror

Dawn Keetley

A repeated visual motif in some recent horror films (actually ecohorror films) is the landscape that engulfs characters. These moments typically involve extreme long shots in which the characters are swallowed by their surroundings. They highlight, most obviously, the insignificance of humans in the face of an overwhelming nature. But they also represent, more ominously, how nature seems to be actively encroaching on the characters, actively threatening them. What happens in these moments is, I think, a distinct variant of ecohorror.

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Posted on July 11, 2017

Man Vs.: Horror, Philosophy, Nature

Dawn Keetley

Horror films are important not least because they so often dramatize fundamental philosophical questions. I just watched an extremely interesting (and definitely underrated) horror film, Adam Massey’s Man Vs. (2015). I did so at the same time that I was reading an essay by Canadian philosopher Karen Houle about the importance of the language we use when talking about the natural world.[i] At one point in her essay, Houle quotes from Martin Heidegger, a quote that struck me as providing a great lens through which to watch Man Vs.

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