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Reviews

Posted on June 9, 2015

Insidious 3 Film Review: Darkness, Depression & Disease

Gwen

Review: Insidious 3 sheds light on darkness, depression, and disease.

Synopsis:     A prequel to the series, this installment provides insight into Elise Rainier and the use of her abilities to help others. She teaches the audience about her talent and about The Further. When you call upon one person they all hear you…and when you go into the darkness, things come back with you.

Like the recent film, Unfriended, Insidious 3 places suicide as a main actor in the film.[i] In Unfriended the actions of others lead to the darkness that befell Laura Barnes which later justified the haunting of her assailants. However, Insidious 3 delves deeper into the psyche by exposing the levels of despair like Dante’s nine circles of hell. Insidious 3 illuminates depression, despair and despondency, and then sprinkles it with the uniquely horrific experience of losing a life to suicide or through disease. Both of these are often inexplicable ends which leave the living with unanswered questions that might push them to stick their head down the rabbit hole of depression. Each of the characters is touched by tragedy, sickness, and suicide. How they cope with such tragedy determines if they become a victim of the darkness.

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Posted on June 5, 2015

NBC’s Hannibal Review: Visual Horror at its Finest

Elizabeth Erwin
Season 3, Episode 1
Episode Title: “Antipasto”

Prior to this season of Hannibal, creator Bryan Fuller promised that the first few episodes would serve as mini films designed to reset the series. Last night’s foray into Hannibal (Mads Mikkelson) and Bedelia’s (Gillian Anderson) life on the run in Europe certainly fit the bill as we spent the entire hour with the two and heard not a peep from anyone remotely affiliated with the FBI. The decision to hone in on the couple and their complicated relationship helped to solidify the evolving nature of these two characters while also suggesting that the coming season will upend our expectations as to where the true horror of the series resides. With its hallucegenic quality and its languid plotting, “Antipasto” is easily one of the show’s finest hours.

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Posted on May 27, 2015

Poltergeist (1982 and 2015): Guilt and the American Dream

Dawn Keetley

In anticipation of the remake of Poltergeist, directed by Gil Kenan, produced by Sam Raimi, and released on May 22, 2015, I re-watched the original Poltergeist from 1982, produced by Steven Spielberg and directed by Tobe Hooper. It’s not the best horror film ever made, by any means, but it has a certain compelling power—and I realized on re-watching it, that the film’s power comes in large part from the fundamental innocence of the Freeling family, who become the target of the dead’s fury. The Freelings are also guilty, though—and it is this paradoxical co-existence of innocence and guilt in this paradigmatic middle-class suburban family that drives the film.

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Posted on May 13, 2015

Review of Maggie (Henry Hobson, 2015): Teenage Wasteland

Dawn Keetley

Maggie is a post-apocalyptic film set in a recognizable albeit devastated world. Humans have survived; the “zombies”—that is, people suffering from the “necroambulist virus”—are mostly under control. Centering on a single family, the film opens with Wade (Arnold Schwarzenegger) bringing his daughter Maggie (Abigail Breslin) back to their farm in the Midwest after she left for a reason we don’t learn. While she was in the city she was bitten, and the film is about her slow death on the dying family farm. The elegiac tone of Maggie suffuses everything—the slowness of the film’s movement, its music, the sepia tone, the thunder that rumbles continuously in the background, the storm that threatens. Death always looms, but in this film it’s gotten significantly closer, more imminent. It’s palpable.

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Posted on May 8, 2015

Mother’s Day (1980) Review

Gwen

A sense of sisterhood peeks out from the otherwise less than maternal Mother’s DaySynopsis: In Mother’s Day, three former college roommates go off into the woods for an annual reunion tradition. What they meet in the back woods is some citified rednecks that do the bidding of their sadistic mother.

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