Special Issue #4

An illustrated cover of a girl in a crown standing in front of two cloaked men while another young girls looks on in fright at an eyeball.

Cover art provided by Andrew Foley

The Blood on Satan’s Claw at 50

Among other things, Piers Haggard’s 1971 The Blood on Satan’s Claw was crucial in shaping the folk horror tradition. Near the end of part two, “Home Counties Horrors,” of his influential 2010 BBC documentary, Mark Gatiss shifts from discussing the dominant Hammer films of the 1960s to articulating a “new” kind of horror film that avoids what he calls “the gothic clichés.” “Amongst these,” he claims, “are a loose collection of films that we might call folk horror.” Haggard himself, whom Gatiss interviews, says, “I suppose I was trying to make a folk horror film.”

And there’s so much more: buried demonic remains, a cult of villagers who rape and murder, witchcraft, strangely animate claws, self-mutilation, black fur spreading over human bodies, and invocations of Behemoth!

In honor of the milestone 50th anniversary of what has become an indisputable cult classic, we are thrilled to present ten original essays that explain why The Blood on Satan’s Claw continues to engage fans of all kinds. We hope you enjoy!

  1. Introduction: The Blood on Satan’s Claw at 50
    Dawn Keetley
  2. Refractions of Mary Bell in The Blood on Satan’s Claw: Angel, Cathy, and Margaret
    David Annwn Jones
  3. The Judge with No Name and Rebels Without A Cause? Uncanny Evil in The Blood on Satan’s Claw
    Matthias Hurst
  4. “Save me, Angel”: The Division of Women in The Blood on Satan’s Claw
    Jessica Parant
  5. “Are you bent on reviving forgotten horrors?”: The Horned God as a Counter-Culture Figure in The Blood on Satan’s Claw
    Kern Robinson
  6. Witchcraft and the Enlightenment in The Blood on Satan’s Claw
    Michael Cerliano
  7. “I shall use undreamed-of measures”: Authority and the Figure of the Witch-hunter in The Blood on Satan’s Claw; or, How the Judge Stamps out Radicalisation
    Paul A. J. Lewis
  8. The Building of a Hero: The Apollonian and Dionysian synthesis of “The Judge” in The Blood on Satan’s Claw
    Michael Jacob
  9. Diabolical demarcations: Landscape and “Anti-landscape” in The Blood on Satan’s Claw
    David Evans-Powell
  10. The Ruined Church in The Blood on Satan’s Claw: Fertility and Population Decline in Folk Horror
    Dawn Keetley
  11. Feeling the Devil’s Skin: The Sensory Affect of Fur in The Blood on Satan’s Claw
    Lyndsay Townsend

Download PDF