Essays

“He’s a wild creature. We can’t ask him to be anything else”: Marine Monstrosities in The Shape of Water

In 2017, renowned Mexican filmmaker Guillermo Del Toro released The Shape of Water, asking his audience to find comfort in his sympathetic monsters and further question the slippery boundary that separates the natural from the unnatural. Arguably, Del Toro’s filmography has been largely defined by his fascination with mythological and fantastical creatures including everything from […]

Dollmare and the horrors of capitalism

Jeff Ambrose A 2023 Pew Research Center survey of nearly 6,000 American workers found that only “half of U.S. workers say they are extremely or very satisfied with their job overall” (Horowitz and Parker). Often, people turn to forms of entertainment to find stress relief and escape the boredom, stress, or frustration of their occupation. […]

A long shot of the interior of a dollhouse

Perfect playthings: The flawless fallacy of Dollhouse

Catherine Pugh In the television series Dollhouse (2009–10), young people known as ‘Actives’ or ‘Dolls’ are subjected to mind-altering technology, wiping away their original identities to be replaced with new ‘imprints’ and hired by wealthy clients. Amoral programmer, Topher Brink (Fran Kranz), is able to create any imprint desired, from mother to lover, thief to […]

Little angels, bad dolls: Girlhood and suspended animation in Longlegs

Emily Naser-Hall We exist encased in screens within screens, at least in the twisted mind of Osgood Perkins. The 2024 film Longlegs opens with a red block embedded within a black screen, the red configured to fit the now outdated 4:3 aspect ratio that more appropriately befit the 8mm camera and which renders the lines […]

Tottie: A dreadful dolls house in the Folk Gothic canon

Alice Sage  It is an anxious, sometimes a dangerous thing to be a doll. Dolls cannot choose; they can only be chosen. They cannot ‘do’; they can only have things done to them.  Tottie: The Story of a Dolls’ House (dir. Oliver Postgate)  The 1984 children’s television series Tottie is infamous among British nostalgists for […]

A woman in medium shot feeling a soft brown wall

The monster is difference made felt: Cuteness in Search Party’s “The Girl in the Basement”

Gabrielle Sinclair Compton Discussions of dollhouses in horror and cultural theory return to questions of power, control, and scale. The dollhouse operates as a structure of miniature domination – and creepiness inheres in this imbalance of scale and agency, where the miniature world serves as a site of surveillance, containment, or control. The fourth season […]

A medium shot of a woman on the right and a doll on the left

Psychological horror and parasitic-psychical puppetry in Resident Evil Village

Rebecca Booth In Resident Evil Village (2021), the eighth installment in the longstanding Resident Evil (RE) video game series, the (unnamed but Romanian-coded) titular mountain village is ruled by matriarch Mother Miranda and her subordinates, a council of House Lords from four noble families. In her quest to find a compatible vessel to house the […]