Prior to this season of Hannibal, creator Bryan Fuller promised that the first few episodes would serve as mini films designed to reset the series. Last night’s foray into Hannibal (Mads Mikkelson) and Bedelia’s (Gillian Anderson) life on the run in Europe certainly fit the bill as we spent the entire hour with the two and heard not a peep from anyone remotely affiliated with the FBI. The decision to hone in on the couple and their complicated relationship helped to solidify the evolving nature of these two characters while also suggesting that the coming season will upend our expectations as to where the true horror of the series resides. With its hallucegenic quality and its languid plotting, “Antipasto” is easily one of the show’s finest hours.
Released in 2010, Paranormal Activity 2 provides a prologue of sorts to the horror that was portrayed in the first film. I chose the second installment of this franchise to rewatch because it best lays out the mythology of the film as well as providing far more character development that what we saw in the original film. In a nutshell, the film follows a family that is being haunted by a demonic spirit. When the lead female character becomes possessed, the family takes drastic measures to save her and the baby whose very existence inspired the return of the spirit.
One thing I’ve been struggling with is the monster as a disembodied force in the Paranormal Activity franchise. Read more
Lauded as a significant entry in the catalog of torture porn, Saw became one of the highest grossing horror films in recent memory. The 2004 film opens with two characters chained in a dilapidated bathroom. Instructions detailing how to escape are left by an unknown assailant but there is a catch. One of the characters must kill the other if he wants to live. What follows is a game of cat and mouse in which our ringleader, named Jigsaw, uses physical and psychological horrors to test the will of his “players.”
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The 1970s were a golden era in horror and films ran the gamut from revenge (I Spit on Your Grave) to cults (I Drink Your Blood) to slasher (The Texas Chainsaw Massacre) often reflecting the tumultuous political and social conditions of the time. With so much variety, not every release received the fanfare that it deserved. So in an effort to remedy those oversights, here are my picks for the most underrated horror films of the 70s.
While the films within the franchise have been hit or miss, there is no denying that the original Scream film injected the horror genre with a much needed shot of self-awareness. From Drew Barrymore unexpectedly getting killed within the film’s opening moments to the script’s self-referential humor, Scream is the film that used the conventions of the slasher horror film against itself to create a new breed of terror.
Like most slasher films, the premise is simple. Sydney Prescott, a girl who is still reeling from her mother’s death one year prior, is being stalked by the same unknown killer who claimed the life of her mother. What follows is a fascinating blend of meta horror in which classic slasher tropes are openly mocked even as they are deployed successfully[i]
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