Essays

A large white dollhouse stands isolated in darkness

Trauma escapes the dollhouse: Miniaturization’s failure in The Awakening (2011)

Dawn Keetley At the conclusion of her discussion of the miniature, which includes a fascinating section on the dollhouse, Susan Stewart concludes: The miniature, linked to nostalgic versions of childhood and history, presents a diminutive, and thereby manipulatable, version of experience, a version which is domesticated and protected from contamination. (69; emphasis added) Nick Murphy’s […]

The horrors of dolls and their houses

Dawn Keetley and Elizabeth Erwin As the essays in this special issue make emphatically clear, dollhouses and miniatures pervade horror. But why? What is horrifying about the doll, the dollhouse, the miniature? Each essay offers their own particular answer to this question, but here we want to offer some general thoughts. Dolls (and their houses) […]

Black House: Ecohorror and Influence in Stephen King and Peter Straub’s Underrated Novel

Andy Hageman and Ryan Gjerde The sequel to The Talisman (1984) by Stephen King and Peter Straub has been hiding in plain sight for twenty-five years. Like the eponymous building at the dark core of Black House (2001), the novel itself has largely eluded the readership of scholars and fans alike. Considering the long-running popularity […]

Endless Night: Agatha Christie for Horror Fans

Agatha Christie published Endless Night late in her career, in 1967. It’s a stand-alone novel, without the stabilizing center provided by either of her famous detectives, Hercule Poirot or Miss Marple. It is, perhaps because of that, a good place to start for horror fans interested in how Christie’s work as mystery writer frequently veers […]

Exploitation Horror: Ruggero Deodato’s Cannibal Holocaust

Spencer Stoller In 1980, Ruggero Deodato released Cannibal Holocaust, a film that represents the height of Italian cannibal exploitation cinema. The movie became notorious for showcasing real animal deaths and graphic physical and sexual violence, and for its documentary and found footage aesthetics, which fueled rumors that the actors had been murdered. The film was […]

The Digital Etchings of the Scaffold: The Executioner’s Anonymity and Audience Participation

Declan Ackroyd In his seminal study of the English people and their attitudes toward execution V. A. C. Gatrell notes that, even before the abolition of public executions in 1868, ‘the polite’ of Victorian society had begun to distance themselves from the spectacle, resulting ‘in a deepening embarrassment about any unseemly display’ that these acts […]

Suburban Blandness and Visual Violence The Mise-en-Scène of the Opening of Scream

Scream (1996) centers on Sidney Prescott (Neve Campbell), a high school student in California who becomes the target of a costumed serial killer named Ghostface on the anniversary of her mother’s murder. Directed by Wes Craven and written by Kevin Williamson, the movie also stars Skeet Ulrich, David Arquette, Courteney Cox, Matthew Lillard, and Drew […]

Hearing is Believing: Undertone’s Aural Horror

Jered Mabaquiao I initially experienced writer-director Ian Tuason’s Undertone (2026) in its opening weekend in a Dallas Cinemark XD and IMAX theater. Undertone follows Evangeline (Evy) Babic, played by Nina Kiri, who is co-host of a paranormal podcast and token skeptic. Additionally, we understand Evy also takes care of her dying mother who is a […]