Essays

Heroic Nihilists and Conceited Heroes in Cube

Given the times that we’ve found ourselves in, it’s no surprise that many of us have turned to horror as a way to cope, process, or simply escape for two hours from the current politically-charged world. What horror is so good at doing is highlighting the human aspects of survival. When the status quo is […]

On “Little Monsters” and Teaching in the Apocalypse

No personal protective equipment, no training for the current situation, and no Clorox wipes as far as the eye can see, though you’ve never needed one more. The threat of death lurks around every corner, and your job, nominally developing your students’ minds, now requires jeopardizing your body. It may sound like Betsy DeVos’s plan […]

Helen Oyeyemi’s The Icarus Girl: A Bildungsroman for the Monstrous Child

The Icarus Girl, Helen Oyeyemi’s 2005 debut novel, lives at the intersection of three contemporaneous trends. Most scholarly attention locates it among Nigerian diasporic literature, which experienced a boom in American and English publishing at the start of the twenty-first century.[i] Indeed, The Icarus Girl remains Oyeyemi’s most overtly Nigerian novel. Less recognized is The […]

“Don’t be scared”: Change, Evolution, and The Beach House as Ecohorror

Jeffrey A. Brown’s The Beach House has been getting a lot of attention, largely positive, since its recent release on Shudder. As others have noted, Liana Liberato’s performance as Emily is excellent, and the film features an effectively creepy atmosphere, wonderful cinematography of the ocean (both from the beach and underwater), and one truly disturbing […]

From Poltergeist to Pennywise: Why Creepy Clowns Scare Us

In 1982, my family piled into our Ford station wagon and headed for the local theater to see Poltergeist. I was ten at the time, the youngest of four children. Ten is an age where you begin to fear things on a deeper, more cerebral level. But the movie was rated PG, so we went […]

Parasite as Horror Film

Class conflicts are a recurring theme in Bong Joon-ho’s films, which deftly traverse multiple genres to portray insights about economic disparities. One could describe Okja as a science fiction action drama and Snowpiercer as a post-apocalyptic dystopian action film. Likewise, in Parasite (2019), a comedic first half gives way to a dark thriller action film. […]

Misery: Call for Papers for Special Issue #2

As the only film adaptation of the Stephen King oeuvre to be anointed with Oscar gold, Rob Reiner’s Misery is quintessential psychological horror with a heaping helping of shock and awe. Fueled by a villain whose name is virtually synonymous with toxic fan culture and made memorable by one indelible sledgehammer hobbling, the film is […]

Horror Fans, Don’t Call the Cops!

What do you think of when you think of the police? Do you think of the murders of George Floyd, Breonna Taylor, Tony McDade, and many more Black people who should be alive today? Do you think of the brutal police responses that have interrupted peaceful protests around the nation?[1] Do you think of your […]

Jaws: Novel vs. Film

On the 45th anniversary of the release of the film that made people afraid to go in the ocean, we consider Steven Spielberg’s Jaws (1975) in relation to Peter Benchley’s 1974 novel. Which is better? Or, perhaps a more useful question, what do the novel and film uniquely do? Check out answers by Elizabeth Erwin […]