Essays

Bloody Pit of Horror

Perfection, Psychosis and Pupillo: Il boia scarlatto (Bloody Pit of Horror, 1965)

M.B.S. Cinematografica released Il boia scarlatto (Bloody Pit of Horror or The Crimson Executioner) in Italy on 28 November 1965.  Grossing 65 million lire during its domestic theatrical run, it was subsequently purchased by Pacemaker Pictures in the United States, where it opened as a double feature with director Massimo Pupillo’s Cinque tombe per un medium (Terror Creatures from […]

Man who Haunted Himself

The Man Who Haunted Himself: Deadly Doubles

The doppelgänger or double has long been a part of the horror tradition (Check out this comprehensive survey by Aaron Sagers at Paranormal Pop Culture), but it’s garnering new interest with Jordan Peele’s Us hitting the theatres on March 22, 2019. Peele’s new “monsters” are “The Tethered,” and they are perfect doppelgängers of the central […]

Babadook

The Babadook and Mad, Queer Grief

When I first watched The Babadook (2014), I did so through semi-closed fingers. I always disliked horror; I jump at most loud noises and my friends know I shouldn’t be allowed within a mile of a haunted house. However, Jennifer Kent introduced me to a genre that experiments with emotions and experiences in ways others […]

Tractate Middoth

Want to Know about Folk Horror? Read This

I’m co-organizing a conference on folk horror at Falmouth University September 5-6, 2019 (check out the call for papers), and so I thought I’d get a running bibliography going of the great stuff that’s been written about folk horror. You’ll find it below, and I’ll be regularly updating it. Please add things I’m missing in […]

The Walking Dead

Queering the Family in The Walking Dead

From the first, Rick Grimes’ role as a father has occupied a central place in The Walking Dead franchise. Initially, his quest to find his family drives both him and the narrative onward. Later, he competes violently for the status of sole patriarch of his family (a role that overlaps significantly with his role as […]

Mixed Media in Velvet Buzzsaw

The trailer for Velvet Buzzsaw is a chimerical thing. The first half sells a delicious send-up of the art scene. The “coastal elites” that America loves to hate lean toward expensive art. They murmur terms like “mesmeric” as they nibble their Armani frames. Halfway through the clip, the trailer rears its second head, revealing the […]

Cam

Cam – Horror and the Double

Cam is a quite extraordinary film, taking the horror genre into relatively uncharted territory. Directed by Daniel Goldhaber and written by Isa Mazzei, Cam centers on Alice, played brilliantly by Madeline Brewer, an “erotic webcam performer” (stage name of Lola), who is determined to move up the ranks at FreeGirls.Live. In one disconcerting moment, however, […]

Cosmic Horror in Lost Carcosa: True Detective as the Ultimate Weird Tale

True Detective, an American anthology of self-contained stories created and written by Nic Pizzolatto, exploded onto television screens in 2014. It has since developed into two further standalone series (2015; 2019) that failed to reach the same levels of critical acclaim. The initial eight-part mini-series starred Woody Harrelson and Matthew McConaughey as a pair of […]

Have Recent Horror Films Accurately Captured Grief?

From societal issues to internal psychological havoc, horror has historically painted our micro and macro humanistic torments on the big screen. It creates new thruways for an alternative method of confrontation with what troubles us. However, there’s a particularly sinister and damaging emotion that each and every one of us likely has to meet with […]