Essays

IT’s Homely Horror: What to Do with a Haunted House

While praising the cast of Andy Muschietti’s 2017 adaptation of IT, A. O. Scott repeats a comment my friends keep saying about the film: it’s old horror hat gone wild. Scott, in his New York Times review, specifically argues that with the advent of CGI in modern horror films comes artistic repetition: “Movie monsters resemble […]

Where to Start with Silent Horror Films

Everyone knows the image: a bald, pale figure with impossibly long fingers rises out of his coffin. That’s of course Nosferatu, one of cinema’s great horror icons. Silent films are such a part of our culture that we can recognize so many moments from them, even if we haven’t seen a single movie. If you’ve […]

Horror Island: The Difference Between Scary and Spooky

Despite having “horror” in the title, Universal’s 1941 film Horror Island (George Waggner) isn’t particularly horrific. Sure, some people get murdered off-camera and a corpse gets shoved into knight armor, but precious few viewers—either then or now—would ever suffer nightmares from this film. In short, Horror Island isn’t scary, but that doesn’t mean it has nothing […]

Get Out and Scientific Racism

Jordan Peele’s Get Out is a visceral viewing experience, which has made it- for me- difficult to write about. The creeping terror of the film is difficult to watch, but, as I watched, I was struck by the role scientific racism played throughout the film. Scientific racism is predicated on the belief that whiteness is […]

Not so Funny: The Peculiar History of the Creepy Clown

Clown hysteria may seem relatively new, but it is hardly a modern phenomenon. For many audiences over the centuries, the clown’s seemingly joyous face has detracted from something more sinister—some darker, hidden quality in the character. As a type, the creepy clown comes to us from centuries past. Like Pennywise from Stephen King’s IT, the […]

The New Final Girl: More Sex, More Persecution

The slasher flick is absorbed in the heroine’s experience of incessant trauma. But unlike the genre’s other characters, she is the one who does not die: she is the “Final Girl.” A victim-hero, she is resourceful and intelligent and ultimately vanquishes the masked murderer.[i] A slew of recent horror films like The Final Girls (Todd […]

Maniac (1934): As Crazy as It Gets

About halfway through Maniac (also called Sex Maniac, for no reason), a minor character gets an accidental shot of adrenaline and performs a monologue that has to be seen to be believed: “Creeping through my veins! Pouring in my blood! Oh, dash the fire in my brain! Stabbing me! Agony!” It goes on and on. […]

Baskin’s Conflicted Horror

Baskin is a 2015 Turkish horror film directed by Can Evrenol. It centers on a group of police officers, including a young and naive officer named Arda (Görkem Kasal), as they respond to a late-night call and inadvertently wander into Hell. The men stumble into a place and time “where realms unite,” and they are […]