Essays

Top 13 Horrible Parents of Horror

Stranger Danger is a total crock. We all know that we are statistically more likely to be maimed or murdered by someone we know (and love). In honor of the looming Mother’s Day and Father’s Day, these films offer depictions of terrible parents who help us appreciate the moms and dads in our own lives.  […]

The Eye vs. The Eye

If you’re a serious film fan, you probably have a kneejerk (but totally appropriate!) negative reaction any time you hear about an American remake of a beloved movie from another country. Who among us has not been burned? Who doesn’t have that one favorite film from abroad that was eventually sullied (or even ruined) by […]

Roadkill: Art or Exploitation?

Tobe Hooper’s Texas Chain Saw Massacre (1974) famously opens (after the credit sequence) with what has to be one of the most famous shots of roadkill in horror—a dead armadillo on a hot Texas highway. The shot is an establishing shot, but it also predicts something of what is to come. The young and attractive […]

Failure to Protect: Families in Shyamalan’s Split

What really scares me about M. Night Shyamalan’s Split (2016) is the opening: A father, his teenage daughter Claire (Haley Lu Richardson), and her two “friends” (we’ll get to this) Marcia (Jessica Sula) and Casey (Anya Taylor-Joy) return to their car after his daughter’s birthday party. The girls climb into Claire’s father’s luxury car first, […]

The Good Son and the Moral Breakdown of Childhood

Children in horror fiction and film often challenge romantic perceptions of childhood as an idyllic and innocent phase of life. These representations of children frequently serve as either a warning against familial instability or as an indication of society’s collective fears and anxieties. With this in mind, Joseph’s Ruben’s 1993 psychological thriller The Good Son […]

Girl Trouble: The Blackcoat’s Daughter/aka February

Bernice M. Murphy Writer/director Oz Perkins’ assured debut feature film, The Blackcoat’s Daughter (2015), known in the UK and Ireland as February, represents a fascinating treatment of a preoccupation that has become intriguingly prominent in recent American horror cinema: that of the threat posed by dangerously unhinged girls and young women. The past five years […]

The Belko Experiment: Aesthetical Violence Meets Life Boat Ethics

Please be aware this discussion contains spoilers. To say that I have been looking forward to screening The Belko Experiment, directed by Greg McClean and written by James Gunn, is an understatement. The well-designed trailer for the film positioned it as another entry in the increasingly growing oeuvre of “life boat ethics”[i] horror films in […]

Why Are Plants So Horrifying?

You wouldn’t think plants would be the stuff of horror. Or, maybe you would. After all, vegetation constitutes over ninety-nine percent of the earth’s biomass—that is, ninety-nine percent of what’s alive on the planet. Earth is indeed “an ecosystem inarguably dominated by plants.”[i] We are surrounded by vegetation; when humans falter, vegetation surges in to […]

The Child as Vampire in Let the Right One In

The vampire tradition in fiction and film has served as a vehicle to explore various anxieties of western culture during the last century. Few texts, however, have explored the possibilities of representing a child as the night-dwelling and blood-sucking terror that so effectively haunts audiences. Tomas Alfredson’s Let the Right One In (2008) fills that […]