Essays

The Unique Monstrosity of Jigsaw

Lauded as a significant entry in the catalog of torture porn, Saw became one of the highest grossing horror films in recent memory.  The 2004 film opens with two characters chained in a dilapidated bathroom. Instructions detailing how to escape are left by an unknown assailant but there is a catch. One of the characters […]

James Wan’s The Conjuring and Abortion

One of the best of the current spate of occult films is James Wan’s The Conjuring (2013), which opened to critical acclaim and the distinction of being rated “R” simply for its terrifying sequences (on which promise, in my view, it certainly delivered). One notable characteristic of occult horror is its seeming resistance to socio-political […]

The Generational Horror of Scream

While the films within the franchise have been hit or miss, there is no denying that the original Scream film injected the horror genre with a much needed shot of self-awareness. From Drew Barrymore unexpectedly getting killed within the film’s opening moments to the script’s self-referential humor, Scream is the film that used the conventions of the slasher […]

Violence and The Purge Franchise

As someone who writes about horror, I was interested in the eruption of The Purge into the news this week after Freddie Gray died in police custody. As a story on CNN.com put it: “In a sobering example of life imitating art, the chaos sweeping the streets of Baltimore may have been partly inspired by […]

Trapped In a Mall: Consumerism & Religion in The Dawn Of The Dead (2004)

With the hiatus of The Walking Dead, I’ve been missing my daily zombie fix and so I wanted to do a rewatch of The Dawn of the Dead (2004), a surprisingly satisfying remake of the 1978 original. While the two films share zombies, that’s about the only point of comparison. Unlike its predecessors, this film […]

Who is Katie? Paranormal Activity and Problems of Selfhood

After a brief hiatus, the next installment in the Paranormal Activity franchise will be returning in October 2015. Paranormal Activity: The Ghost Dimension will apparently turn back to Katie (Katie Featherston) and, according to producer Jason Blum, will explain everything.[i] One thing I wonder if the film will explain is the photograph of Katie (with […]

THE MEME REVOLUTION IN GORE VERBINSKI’S THE RING

Gore Verbinski’s The Ring centers on an infamous videotape and was released, ironically, at the very moment in time (2002) that VHS was becoming obsolete, replaced by digital recording technologies. I recently taught the film, wondering if it still has anything to say, thirteen years later, now videotape truly is obsolete. I’m convinced, after another […]

Empowerment of the Traditional in John Carpenter’s Halloween (1978)

Released in 1978, John Carpenter’s Halloween not only gave Jamie Lee Curtis her definitive Scream Queen role but it also gave audiences one of the best known horror film villains of all time in Michael Meyers. On its face, the story is a simple one. On Halloween night, six-year-old Michael murders his sister and is […]

THE POSTHUMAN MONSTER OF WES CRAVEN’S SCREAM (1996)

Noël Carroll’s theory of art-horror has always seemed a particularly compelling one to me—that the genre is defined by a monster characterized by impurity, by the yoking together of contradictory categories (the living dead, for example), thus evoking fear and revulsion in the viewer.[i] His theory notoriously has difficulty, though, accounting for the very human […]