Browsing Category

Featured

Posted on March 27, 2018

Fortress and Classroom Horror

Elizabeth Erwin

When people ask me what’s the scariest film I remember from my misspent youth, they’re always surprised when I reference Fortress (1985), a little seen Australian thriller that inexplicably became an HBO mainstay in the late 1980s. Based on a novel of the same name by Gabrielle Lord, the movie centers on a classroom of children and their young teacher, Sally Jones (Rachel Ward), who are taken hostage by a band of homicidal, mask wearing men. With moments of pronounced violence, the film is worth another look by horror fans for the way it leverages its classroom setting to instill fear.

Because horror grapples with the collective anxieties of the time, how a space is viewed by an audience is contingent largely upon the events of the day. For instance, to an audience in the 1930s watching The Lady Vanishes (1938) for the first time, the claustrophobic setting of a train car reads very differently than it does to a millennial audience who may lack a real world understanding for how it feels to travel by train. As a space, the classroom historically represents not only a place of learning, but also a place of security. While this perception has altered radically in the wake of Columbine and Sandy Hook, in the 1980s the classroom did not instantly connote a sense of fear. Read more

Posted on March 17, 2018

The Strangers: Prey at Night Is a Travesty

Dawn Keetley

Johannes Roberts’ The Strangers: Prey at Night is a travesty for anyone who watched and loved the outstanding 2008 film, The Strangers, directed by Bryan Bertino. I discuss Bertino’s Strangers here. It’s a brilliant horror film in the pure, enigmatic malevolence of the “strangers,” the simplicity of the plot, and the absolute terror induced by the way the strangers emerge silently into the frame, inside the home they shouldn’t be in. Strangers: Prey at Night is the opposite of all that. Which isn’t to say that, as a film in its own right, it doesn’t have some redeeming qualities.

Read more

Posted on March 13, 2018

Mathias Clasen on Why Horror Seduces

Guest Post

Imagine you’re an alien anthropologist sent to Earth to document the behaviour of the strange bipedal mammals who inhabit the planet. You stumble into a movie theater that’s showing the latest Hollywood horror film.

Several dozen humans are gathered together in a dark, undecorated room. They’re all staring at a rectangular area on which patterns of light change rapidly.

They are clearly in a state of high arousal. Their hate rate is elevated, they occasionally glance around nervously, and they sometimes jump collectively in their seats, and emit high-pitched warning calls.

Eventually, the lights come up and the rectangular screen goes black. The humans stand up and leave the room, chatting and laughing, and showing signs of pleasure.

What on earth is going on?

Why do these humans voluntarily expose themselves to what appears to be a deeply unpleasant experience? And why do they react so strongly to those patterns of light on a screen?

Mathias Clasen from the School of Communication and Culture of Aarhus University in Denmark has asked these questions–and he answers them, and more, in his TedX talk, and in this guest post, first published on ScienceNordic.

Read more

Posted on March 11, 2018

Horror Visits Little House on the Prairie

Elizabeth Erwin

Ask anyone who grew up watching Little House on the Prairie what is the most traumatizing image they recollect from the show’s run and you’re likely to get a surprisingly wide array of answers. From Caroline almost taking a knife to her leg while in the throes of a fevered infection to Alice screaming and trying in vain to shatter glass as she and baby Adam burned in a fire, the show contains more than a few moments that call into question its cultural legacy of family friendliness. These moments aside, however, the show never delved into explicitly horror territory until its seventh season when a two-part episode entitled “Sylvia” leveraged the genre’s tropes to completely rewrite audience expectation. Read more

Posted on March 4, 2018

Midnighters, the Cost of the American Dream, and A Simple Plan

Dawn Keetley

Midnighters premiered in June 2017 at the Los Angeles Film Festival and saw its theatrical release in the US on  March 2, 2018. It’s the feature-film directorial debut for Julius Ramsay, who has directed two episodes of AMC’s The Walking Dead—two very good ones, I might add: “Still” (s. 4, ep. 12 [2014]) and “Them” (s. 5, ep. 10 [2015])—as well as an episode of Scream: The TV Series (2015) and of Outcast (2016). The screenplay was written by his brother, Alston Ramsay, and the film’s four main leads are well cast: Alex Essoe from 2014’s Starry Eyes as Lindsey, Dylan McTee as her husband Jeff, Perla Haney-Jardine as Lindsey’s wayward sister, Hannah, and Ward Horton as alleged FBI agent Smith. While the plot is a little predictable (I definitely saw the final reveal coming and wondered why none of the characters seemed to), it is acted and directed extremely well. The pacing is perfect with each escalation of the tension happening at just the right time. You should watch this.

Read more

Back to top