- Horror Movie - Horror Homeroom

Posted on October 19, 2016

Without Name: Nature’s Power

Dawn Keetley

Irish folk horror film Without Name saw its US premiere on Saturday October 15, 2016, at the first Brooklyn Horror Film Festival—and it was without doubt one of the best films to play at the festival. Indeed, it just won awards for best feature, best director (Lorcan Finnegan), best cinematography (Piers McGrail), and best editing (Tony Cranstoun). I also want to single out Garret Shanley for a masterful screenplay and the three leads (Alan McKenna, Niamh Algar, and James Browne) for great performances.

Here’s the trailer:

Posted on October 16, 2016

Mattie Do’s Dearest Sister: Seeing Things

Dawn Keetley

Dearest Sister (Nong Hak) is the second feature film directed by Mattie Do, and it has some similarities to her first film, Chanthaly (2013)—not least its pervasive sense that hauntings happen most often in our closest relationships. Do, who was born in Los Angeles to parents who immigrated from Laos, is making a name for herself as the first female director of a Lao feature film and the first director of a horror film (Chanthaly) written and directed entirely in Laos. Dearest Sister was also produced in Laos, filmed on location in the capital city of Vientiane, where Do was living. As important, though, as Do’s films unquestionably are for Lao film-making, Dearest Sister is an exceptional horror film by the standards of any national cinema. Read more

Posted on October 9, 2016

Georges Méliès, the Film That Makes You Go Mad, and the Birth of Horror

Dawn Keetley

One of the films I am most excited about screening at the upcoming Brooklyn Horror Festival (October 14-16) is the 2016 French documentary directed by Fabien Delage called Fury of the Demon (La Rage du Démon). This is how IMDb describes the film:

“A documentary investigation on the rarest and most controversial French movie in the history of early cinema: a fascinating, lost and dangerous short film which causes violent reactions to those who watch it.” Read more

Posted on July 15, 2016

Top Ten Reasons Camping Just Isn’t For Me

Gwen

I should preface this by stating that I was traumatized by Girl Scout camp long before I saw any of these films. I was an awkwardly shy kid away from home for the first time in the middle of nowhere with only one friend. The food sucked, the lake was icky (reminded me of “The Raft” segment from Creepshow 2 [1987]), and I swear I pulled latrine duty every time. Frankly, I might take a night at Camp Bloodbath before I would go back to Girl Scout camp. By no means do I shudder from the great outdoors, but let’s just say I would take my chances in an urban jungle long before I would canoe down the Cahulawassee River looking to play Dueling Banjos with the locals. From a horror film stand point, I just feel as if things work out better for folks in the city than in the woods. Whether it is a vacation getaway in the woods, a week at summer camp, or some time to hone your cheerleading skills, these films offer little respite for the weary. As we embark on the summer of 2016, maybe some of these films will help you decide whether you would rather camp along the Appalachian Trail or book a room at the Hyatt this year.

Posted on July 4, 2016

The Purge: Election Year: Do Progressive Politics Make Good Horror?

Dawn Keetley

The Purge: Election Year is the third film in James DeMonaco’s franchise and continues on the trajectory set in motion by its two predecessors: it represents a broader political scope with proportionally less dread. Indeed, if the Purge franchise has had only a marginal grasp on the horror genre, Election Year may represent its letting go (though it is still labeled “horror” in IMDb—albeit secondarily to “action”).

In Election Year, the seeds of the resistance to Purge Night that were growing in The Purge: Anarchy (2014) have come to some sort of blossoming in the form of Senator Charlene (Charlie) Roan, played by Elizabeth Mitchell (also currently starring in Freeform’s new summer horror series, Dead of Summer). Charlie witnessed the slaughter of her entire family on Purge Night eighteen years earlier (indeed, her mother had to choose which of her family members would survive). Charlie is not only, unsurprisingly, deeply opposed to the Purge, but also to violence in any form. She intends to defeat the NFFA (The New Founding Fathers of America) and their Purge platform at the voting booth. Ballots not bullets. Read more