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Posted on October 19, 2015

The Ward (2011) Review

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The Ward

July 2011  |   (USA)   |   John Carpenter   |   89 min   | R

Synopsis: Kristen (Amber Heard) is admitted to the North Bend Psychiatric Hospital in 1966 after she sets fire to a house. As she acclimates to this new setting of locked doors, restricted company, frequent medications, and forced treatments, she learns that there is an additional threat to the ward and its patients: the ghost of Alice Hudson. Alice, out for revenge, chases the girls slasher-style throughout the asylum until the film culminates in an unsurprising twist ending.

Review: Wrong monster, wrong place. The slasher/haunting plot is misplaced in a setting rich with its own horrors, none of which are fully taken advantage of.

Grade: C

1. Asylum

It’s either fitting or extremely inappropriate that I’m writing this review on the tenth of October, World Mental Health Day. Because I have an interest in the history and cultural construction of mental illness, I was excited about The Ward’s setting in a 1960s asylum, a time and place when mental illness was a potent source of fear, not just fear of one’s own psychological demons but of how those demons might be “treated.” The opening credits immediately locate the film’s themes amongst barbaric treatments with splintered images of actual woodcuts, illustrations, and black-and-white photographs, all depicting patients undergoing agonizing treatment. The homage to these historical treatments gives Carpenter a promising starting point on which to build his narrative of horror.

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Posted on August 27, 2015

Originals vs Remakes: Does Generation Matter?

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After seeing over 100 horror films, I would call myself an avid horror fan. From Invasion of the Body Snatchers (1956) to I Know What You Did Last Summer (1997) to The Human Centipede (2009), I have seen a plethora of horror films from all the horror sub-genres: psychological, science fiction, slasher, splatter, etc. Yet, if you were to ask me what my favorite horror films are, you might be surprised to learn that my favorites are primarily 21st century films.

Today’s latter millennials grew up during the era of horror movie remakes. As a result, my love for horror is perpetually deemed “fake” by adults who deeply question how I could like today’s horror films and not the classics. Adults have ridiculed my so-called “interest” in horror and doubted my appreciation for the genre since I did not see those classics that shaped the genre into what it is today. Why is it that this does not apply to other genres? If someone loves comedies, nobody says to them, “Seriously? You like the movie The Hangover (2009)? What about The Nutty Professor (1963)?” If somebody loves romances, nobody says to them, “Seriously? You like The Notebook (2004)? What about Sleepless in Seattle (1993)?” If someone loves romance films, classic romance films would certainly be suggested to them; however, nobody would seriously doubt their interest in the genre if they hadn’t seen them.

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