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Gwen

Posted on October 23, 2016

Haunt Review: The Valley of Fear

Gwen

Web Address: http://www.valleyoffear.com/

Location: Feasterville, PA (Bucks County)

Valley of Fear is frightfully fun for the whole family.

The Nuts and Bolts:

Valley of Fear offers four haunted attractions: Haunted Hayride, Underworld, Facility, and Zombie Paintball. The prices are reasonable, but are weighted based on heavier dates of attendance. For example if you attend on one of the lighter days (designated on their website) the price is cheaper. You can choose if you want to attend all four attractions or just one or two. I suggest the super fear pass as it includes all four attractions for only $33-$39. I did not upgrade to the fast fear pass as I was smart and attended the attraction on a Sunday right as the doors opened which afforded me pretty quick lines.

There’s no touching at this haunt, though they do get up close and personal on occasion. This attraction is appropriate for most ages (pre-teen and up). It was noted that there were several younger actors also participating in the haunt. Parking was a nominal fee of $5. You don’t have to pack too much money as the haunt does not have a gift shop, but it does have a small concession stand with basic snacks. Read more

Posted on October 11, 2016

Haunt Review: Frightland

Gwen

Web address: http://frightland.com/

Location: Middletown, DE (New Castle County)

Frightland is a perfect blend of fun, fear, and fright.

The Nuts and Bolts:

2016 marks the twentieth year for this established haunt which is situated on about 350 acres of land in Middletown, DE. The location is easy to get to and conveniently located so that patrons from Delaware, New Jersey, Maryland, and Pennsylvania can easily make the trip. This haunt is open Fridays, Saturdays, Sundays (and some Thursdays) into early November. Frightland prices are EXTREMELY reasonable. They offer eight haunted attractions and a moderately sized carnival for $35. The full upgrade to VIP for all eight attractions (price includes carnival rides) is only $50 and is well worth it. Other noteworthy basics: there are a good number of well-maintained portable johns, there is extensive security onsite, a small gift shop, and there are tons of food options in the carnival section. Parking was a nominal fee of $5 and 100% of this money goes to The Leukemia Research Foundation of Delaware. Generally speaking, if you upgrade to the VIP pass, you will easily enjoy about two hours of heart pounding fun! Read more

Posted on August 29, 2016

Don’t Breathe (2016): The Politics of Justice and the Subjectivity of Victimhood

Gwen

Sometimes, I wonder if justice is blind or if it is just oblivious. In recent history, Ethan Couch received a lenient sentence after recklessly mowing down several innocent victims while intoxicated on liquor and affluenza. The former Stanford swimmer, Brock Turner received only a six month sentence after sexually assaulting an unconscious woman.[i] Shortly thereafter, Indiana University frat boy John Enochs escaped two counts of felony rape with a year of probation while David Becker received two years of probation for sexually assaulting two 18 year old girls. What are the repercussions of these lenient sentences? When did it become more important to protect a perpetrator from being branded a sexual offender than to ensure justice? How is it that a judge and/or jury came to worry more about the hopeful college experience of a young college-bound Massachusetts boy over his two 18-year-old victims? You might ask, what does this have to do with the film, Don’t Breathe (2016)…I say everything.

In the wake of national outrage after these trials, Don’t Breathe brings light to what we view as justice and who is a deserving victim. By definition, a victim is “a person harmed, injured, or killed as a result of a crime, accident, or other event or action”.[ii] However, in the eyes of a subjective public, being a victim of a crime does not concretely translate into victimhood as we see in Fede Alvarez’s film, Don’t Breathe. Read more

Posted on August 25, 2016

Trailblazing Self-Reflection and Postmodernism in Student Bodies (1981)

Gwen

I can think of no better way to exemplify my gluttonous yet astutely reflective consumption, digestion, and regurgitation of horror than by beginning with a film that does much the same. The 1981 Paramount Pictures film Student Bodies film gained a cult like following after it re-emerged on late night television via USA Up All Night which showcased other greats such as Reform School Girls (1986), Summer School (1987), and Cannibal Women in the Avocado Jungle of Death (1989). Read more

Posted on August 2, 2016

Lights Out: Living life while trying to stay in control.

Gwen

PG-13   |   2016   |   David Sandberg   |   81 min   |   (USA)

If you are looking for a review of the film, you won’t find it here (but you will find plot spoilers so proceed with caution). While I found the film worthwhile, I was more captivated by the function of the monster rather than the storyline. Therefore, this piece focuses on the monster rather than the movie. It was clear to me that the film’s underlying narrative is about the struggles of living life with a major depressive disorder.[1] However, I could not help but see the film two-fold with the antagonist Diana (Alicia Vela-Bailey) serving both as a manifestation of Sophie’s (Maria Bello) debilitating depression as well as her abusive partner.[2] Let me elaborate.

In order for me to better explain my point of view, let’s review some of the background. Sophie grew up struggling with depression which led to a childhood admission to an inpatient psychiatric hospital. While in this hospital, Sophie meets Diana and forges a friendship as healthy as a host to its succubus. Diana is in the hospital for manipulating her father into killing himself by inserting her thoughts into his head. Once in the hospital, Diana locates her next plaything in the form of Sophie, and, as we come to see, Diana plays for keeps. During a mishap in the hospital, Diana passes away and somehow becomes fused into Sophie’s psyche. Read more

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