Reviews

The Only Good Indians: The Bloody Marrow of Tradition

The Only Good Indians (2020), Stephen Graham Jones’s latest novel, often feels weighed down by a distant, but strong, tradition. For horror fans, there is a lot to like in its pages: haunted houses, breaching of cultural taboos, spectacular but rarely overdone gore, hybrid monsters, and an ever-present deniability of the supernatural. Many reviewers celebrate […]

Mexican Gothic: Pulpy Anti-Colonial Critique

From the title on, Mexican Gothic, the latest from Mexican Canadian novelist Silvia Moreno-Garcia, leaves no doubt about its genre or its self-awareness. Fans of the Gothic will find all its greatest hits lined up and ready for savoring – the crumbling house, the family with a secret, fraught sexual dynamics, ghosts of a restless […]

Relic Brilliantly Portrays the Horror of Dementia

Relic (2020) is a profoundly disturbing Australian film that tackles the horror of aging more effectively than any other film I’ve seen. Indeed, it exemplifies how horror film as a genre is uniquely adept at exploring—at making its viewers viscerally feel—the things that really scare us. The first full-length feature for director Natalie Erika James, […]

The Beach House: Contemporary Climate Crisis Horror

For all that any movie even vaguely about contagion and isolation will have special resonance in the Coronavirus era, I’ll spare you the topical commentary on The Beach House. This isn’t a new entry to the canon of outbreak horror. What The Beach House aims for instead is to be a Night of the Living […]

In Search of Darkness: A Nostalgic Celebration of 80s Horror Cinema

Coinciding with the current renaissance of American horror cinema, we’ve seen more interest in horror documentaries. Within the last two years alone, Eli Roth’s History of Horror (2018) and Horror Noire: A History of Black Horror (2019; see the Horror Homeroom review here) both released to critical acclaim, and now we have the collector’s documentary […]

Scream, Queen! Review

Around this time last year, the Met Costume Institute was displaying its exhibit on camp, sparking explainers and podcast episodes and angry rants (the last one from me) about just what camp is exactly. I thought about it some more while watching Roman Chimienti and Tyler Jensen’s Scream, Queen! My Nightmare on Elm Street (2019), […]

Followed: A Clever Use of Found Footage and a Smart Critique of Influencer Culture

Ever since the massive success of 1999’s The Blair Witch Project, found footage has been a staple of the horror genre. Even George A. Romero experimented with it in one of his last (and also criminally underrated) films, Diary of the Dead (2007). Yet, now, more than 20 years after The Blair Witch Project, the […]

Night of the living dead

Night of the Living Dead ™ – Remix (Review)

Premiering in early 2020, with a successful UK tour cut short by theatre closures in the wake of COVID-19, Night of the Living Dead™ – Remix is the latest production by imitating the dog. As a performance collective, imitating the dog are known for their breadth – from stagings of comic serials to musical theatre, and […]

The Lodge and the Cyclical Nature of Trauma

Severin Fiala and Veronik Franz’s The Lodge (2019) has been praised as one of the best horror films of 2020. Somehow, it still feels like it fell through the cracks. Given the spectacular failure of The Turning (2020), it’s no surprise that a horror film featuring a woman and two children in isolation would be […]