- Horror Movie - Horror Homeroom

Posted on May 20, 2015

The Unique Monstrosity of Jigsaw

Lauded as a significant entry in the catalog of torture porn, Saw became one of the highest grossing horror films in recent memory. The 2004 film opens with two characters chained in a dilapidated bathroom. Instructions detailing how to escape are left by an unknown assailant but there is a catch. One of the characters must kill the other if he wants to live. What follows is a game of cat and mouse in which our ringleader, named Jigsaw, uses physical and psychological horrors to test the will of his “players.”
Read more

Posted on May 18, 2015

James Wan’s The Conjuring and Abortion

Dawn Keetley

One of the best of the current spate of occult films is James Wan’s The Conjuring (2013), which opened to critical acclaim and the distinction of being rated “R” simply for its terrifying sequences (on which promise, in my view, it certainly delivered).

One notable characteristic of occult horror is its seeming resistance to socio-political meanings. After all, it translates its principal conflict to the afterworld: human characters are beset by ghosts, demons and poltergeists—often forces of uncomplicated “Evil”—not by more recognizable and more complicated “evils” of this world. The “dark entity” in The Conjuring, for instance, simply wants the unoffending Perron family dead. Articulating what seems true of occult films in general, Douglas Kellner writes of Poltergeist that it “deflect[s] people’s legitimate fears onto irrational forces.”[i]

Posted on May 15, 2015

Underrated Horror Films Worth a Watch- 1970s Edition

Elizabeth Erwin

The 1970s were a golden era in horror and films ran the gamut from revenge (I Spit on Your Grave) to cults (I Drink Your Blood) to slasher (The Texas Chainsaw Massacre) often reflecting the tumultuous political and social conditions of the time. With so much variety, not every release received the fanfare that it deserved. So in an effort to remedy those oversights, here are my picks for the most underrated horror films of the 70s.

Posted on May 13, 2015

Review of Maggie (Henry Hobson, 2015): Teenage Wasteland

Dawn Keetley

Maggie is a post-apocalyptic film set in a recognizable albeit devastated world. Humans have survived; the “zombies”—that is, people suffering from the “necroambulist virus”—are mostly under control. Centering on a single family, the film opens with Wade (Arnold Schwarzenegger) bringing his daughter Maggie (Abigail Breslin) back to their farm in the Midwest after she left for a reason we don’t learn. While she was in the city she was bitten, and the film is about her slow death on the dying family farm. The elegiac tone of Maggie suffuses everything—the slowness of the film’s movement, its music, the sepia tone, the thunder that rumbles continuously in the background, the storm that threatens. Death always looms, but in this film it’s gotten significantly closer, more imminent. It’s palpable.

Posted on May 8, 2015

Mother’s Day (1980) Review

Gwen

A sense of sisterhood peeks out from the otherwise less than maternal Mother’s Day. Synopsis: In Mother’s Day, three former college roommates go off into the woods for an annual reunion tradition. What they meet in the back woods is some citified rednecks that do the bidding of their sadistic mother.