I must begin with a disclaimer that I am quite possibly incapable of keeping this top ten list narrowed down to ten creepy kids. Since scary little children are one of my passions within the horror genre, I especially found it hard to narrow the field. In addition, I historically struggle with being concise if you haven’t noticed. On that note, I hope to distinguish my list from the many others on the web. I did not choose these children because they appear physically horrific or unnerving. Many will be disappointed that I left off such notable creepy kids as Reagan from the Exorcist, Carol Ann from Poltergeist, or Toshio from the Grudge. I tried to pick children who had leading roles, spent the whole movie outside of the womb, and who are uniquely evil kids. Historically the horror genre uses its creepy kids as an indicator of other societal ills. Often films justify the child’s horrific nature by making them possessed, adopted, abused etc. What makes a kid especially scary to me, is when they are utterly unpredictable, they appear normal, and there is little to no explanation for their horrific actions. My list argues that some of the best creepy kids are so scary because they challenge the way we see children. They take away our comfort by illuminating the fact that childhood and innocence are not synonymous. Furthermore, some people are really born bad and you can’t always tell.
If you were at all tempted to spend money on The Pyramid, now available on video on demand (and coming out on DVD on May 5, 2015), don’t! Directed by Grégory Levasseur (who directed the 2006 re-make of The Hills Have Eyes), written by Daniel Meersand and Nick Simon, and produced by Alexandre Aja, The Pyramid is valuable mostly as an exercise in how not to make a horror film. The writing is bad; the plot is utterly predictable, the acting is shocking flat; and the film is, quite simply, tedious.
Trapped In a Mall: Consumerism & Religion in The Dawn Of The Dead (2004)
Elizabeth ErwinWith the hiatus of The Walking Dead, I’ve been missing my daily zombie fix and so I wanted to do a rewatch of The Dawn of the Dead (2004), a surprisingly satisfying remake of the 1978 original. While the two films share zombies, that’s about the only point of comparison. Unlike its predecessors, this film features zombies of a more threatening variety and is meant to critique American consumerism. In the wake of a zombie outbreak, a group of people take refuge in a mall where they attempt to salvage a little of their humanity.
After a brief hiatus, the next installment in the Paranormal Activity franchise will be returning in October 2015. Paranormal Activity: The Ghost Dimension will apparently turn back to Katie (Katie Featherston) and, according to producer Jason Blum, will explain everything.[i] One thing I wonder if the film will explain is the photograph of Katie (with her boyfriend Micah) in the first installment, Paranormal Activity (Oren Peli, 2007), that quite clearly is not a photograph of Katie.
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Review: It Follows and Unfriended offer a much needed return to social commentary.
I think the release dates of It Follows and Unfriended are quite serendipitous. Let me explain why. I wholeheartedly agree with Dawn’s assessment that It Follows expounds upon one of horror’s greatest standing rules that if you have sex, you die. However, I feel that the movie speaks to a broader subject matter which includes age old gossip as well as the current digital age.
Yes, those who died in It Follows had sex. The horror however, lies in what follows from having sex. It speaks directly to reputation, image, self-worth, and literal images that follow the act. For decades prior to the cyber era, women especially feared for and guarded their reputation.











