Browsing Tag

Canadian horror

Posted on October 11, 2026

Casey Walker’s Ithaqua – Historically-grounded Wendigo Horror

Dawn Keetley

Ithaqua has been a long-term passion project for its Canadian director and writer, Casey Walker. In interviews, he has described his struggle to see his conception to the screen, including securing the funding – something that finally came from John Gore, who (as of 2023) has acquired Hammer Films. In the meantime, Walker has directed two other features – A Little Bit Zombie (2012) and Home Bodies (2026) and has produced a number of films, including Chris Nash’s 2024 break-out hit, In A Violent Nature (which we loved).

Ithaqua is set in winter in 1821 at a fur-trading post, Fort Thomas, in the Canadian wilderness. The place is inspired, Walker says, by Fort William Historical Park, a living-history museum in his home town of Thunder Bay, Ontario. Indeed, Ithaqua was filmed at Fort William, at its reconstruction of an early nineteenth-century fur trading post. It was also filmed in an unusually cold winter, and Walker has recounted the enormous challenge of filming in temperatures of minus 34 degrees Celsius to minus 55 (including a scene in which a man strips off his clothes).

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Posted on September 17, 2015

Backcountry (2014)

Dawn Keetley

Summary: In Adam MacDonald’s Backcountry, A couple, Jenn (Missy Peregrym) and Alex (Jeff Roop) go camping in the woods. They encounter a bear.

If you want to see a truly terrifying film, forget going to the theater to see M. Night Shyamalan’s The Visit. Spend the money on Backcountry, a 2014 Canadian film that opened in the US in March 2015 and was recently released to video on demand through services like Amazon and itunes.

I was transfixed by this film: it’s simple (deceptively so), beautifully filmed, well-written and acted, and will grip you from beginning to end.

One of the brilliant things about the film is that while it is, on the one hand, thoroughly grounded in the real world—no monsters, nothing supernatural—it is nonetheless steeped in the horror film tradition. Indeed, it brings the naturalistic world into the realm of horror so unobtrusively that you don’t realize what’s happening on first viewing—and so you don’t know exactly why you’re so uneasy when the characters go swimming, when they walk through the woods, when they hear acorns falling.

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