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ecohorror

Posted on February 12, 2020

Gothic Nature Journal — TV/Film Reviews

Call for Papers/ Dawn Keetley

Gothic Nature is seeking TV/ film reviews for its next issue. The show or film reviewed should have a clear thematic link to ecohorror/ecoGothic, and the reviews should aim to be about 1,000 words in length (Harvard style and British spelling and punctuation conventions appreciated). We prefer reviews that focus on recent films or TV (within the last couple years), but we can be flexible about this, especially if you want to concentrate on a longer thematic through-line. Send inquiries and submissions to Sara L. Crosby at crosby.sara@gmail.com. For further information about the journal, please visit: https://gothicnaturejournal.com/.

Deadline for submissions:  March 15, 2020

Posted on April 22, 2018

Ecohorror: The Nature of Horror

Dawn Keetley

A repeated visual motif in some recent horror films (actually ecohorror films) is the landscape that engulfs characters. These moments typically involve extreme long shots in which the characters are swallowed by their surroundings. They highlight, most obviously, the insignificance of humans in the face of an overwhelming nature. But they also represent, more ominously, how nature seems to be actively encroaching on the characters, actively threatening them. What happens in these moments is, I think, a distinct variant of ecohorror.

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Posted on November 1, 2017

The Dangerous Politics of Geostorm

Dawn Keetley

Critics are in the process of hammering Dean Devlin’s cli-fi action / horror film Geostorm (2017)—and one of the most damning charges has been how stupid it is. “The stupidest film I have ever seen,” claimed Mark Kermode, tweeting “I have seen Geostorm. My brain is now cowering in a dark corner of my head and refusing to speak to me.”

Mark Kermode’s assessment of Geostorm

I did not, for the most part, experience Geostorm as stupid. As a long-time fan of disaster movies, part of me actually enjoyed it. More than that, though, I was disturbed by the relentlessly dangerous message of Geostorm—and I say that recognizing that director Dean Devlin had nothing but good intentions. In an interview, Devlin describes talking with his young daughter about climate change, trying to answer her anxious question: “Why aren’t we doing anything about it?” He goes on to say that Geostorm emerged from that conversation: it’s a “cautionary tale—a fable.” It’s about what could happen if we wait to deal with global warming.

Here is the interview with Devlin:

 

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Posted on April 22, 2016

Day of the Animals (1977): EcoHorror for Earth Day

Dawn Keetley

Day of the Animals (William Girdler, 1977) is a bad (dare I say, so bad it’s good) disaster / revenge-of-nature ecohorror film that screams seventies. Its plot is simple: a group of assorted characters, who shouldn’t be hiking in the best of circumstances, head up into the mountains just as animals start massing and trying to kill all humans—a phenomenon apparently caused by the thinning ozone layer.

There’s bad acting and plot holes as big as those in the ozone layer (not least, after a violent confrontation, one group chooses to continue up the mountain, yet is thereafter shown trekking down, while the other group, which chose to go down the mountain, is subsequently shown hiking up). There’s utterly horrible dialogue and baffling character development—and more than a few offensive comments thrown at the one Native American character. (I won’t even go into how the women are portrayed!)

2. Day of the Animals, Jenson

The incomparable Leslie Nielsen (yes, one reason to see the film) plays a character who starts out as a straightforward obnoxious advertising executive, yet before long he mutates into a bare-chested survivalist, screaming into the rain, declaring allegiance to “Melville’s God,” shoving a mother and her child violently onto the ground, trying to rape a young woman (after telling her, “You belong to me. I own you”), stabbing a man through the abdomen with a walking stick, and then grappling (willingly) with a very large grizzly bear. The only possible excuse for this startling series of events might be that he is the lone person affected by the depleted-ozone-layer-induced madness that otherwise affects only nonhuman animals.  You have to make that leap yourself, though, because the film doesn’t. Read more

Posted on June 3, 2015

The Return of the Woolly Mammoth: Fortitude and The Thaw

Dawn Keetley

Horror has always been interwoven with science—ever since Professor Van Helsing in Dracula (Tod Browning, 1931) asserted (about vampirism) that the “superstition of yesterday can become the scientific reality of today.” So it’s no surprise that the recent spate of woolly mammoth carcasses, emerging from thawing permafrost mostly in Siberia, should coincide with the appearance of the woolly mammoth in horror film and TV—specifically (to date) The Thaw (Mark A. Lewis, 2009) and the TV series Fortitude (2015), produced by Sky Atlantic and broadcast in the US on Pivot January to April, 2015.

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