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Posted on July 4, 2018

Fallen Kingdom: Failed Experiment

Guest Post

Jurassic World: Fallen Kingdom (J. A. Bayona, 2018) is an experiment in nostalgia. Like many of the other franchises cluttering theaters these days, the latest Jurassic Park installment reawakens our admiration for its original. It elicits memories of prior experiences watching Steven Spielberg’s Jurassic Park (1993). I myself will never forget the first time I saw it, when at the age of four or five, I ran screaming from the theater because the T-Rex broke loose and ripped the lawyer off a toilet—“when you gotta go, ya gotta go.”

Like me, many Jurassic Park fans can similarly identify lines of dialogue with their moments in the film. Perhaps the dialogue was so well-written, so representative of their moments, and delivered so well—by fully fleshed-out characters with plausible motivations and complete backstories—that enthusiastic audiences can easily recall it. Several of the more intuitive lines, like those above, are spoken by Dr. Ian Malcolm (Jeff Goldblum), who specializes in chaos theory and predicts the fall of the park. It’s no wonder, then, that the character returns in Fallen Kingdom, whose taglines read: “life finds a way” and “the park is gone.” The former is the oft-cited Malcolm line, the other something he insistently prophesizes.

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Posted on June 25, 2018

Hereditary and the Changeling Myth

Guest Post

Before we meet Charlie (Milly Shapiro), the younger of the Graham family’s children in Ari Aster’s 2018 film Hereditary, we’re already worried about her. It’s the morning of her grandmother’s funeral, and her father, Steve, played by Gabriel Byrne, can’t find her anywhere. Exasperated, he finally wakes Charlie in the treehouse. “You could catch pneumonia!” he warns.

“It’s okay,” she says, but Charlie is not okay.

She evinces a flat affect—Charlie is not so much passive aggressive as just passive. She couples this quality with a pathological carelessness. At 13, Charlie demonstrates less concern about her serious food allergy than many 5 year-olds. Constantly munching on sweets, she has an appetite for the types of food that could be fatal to her. Charlie’s radical insouciance seems to suggest that she has inherited the family’s history of mental disorder, but her troubles resist diagnosis. She doesn’t seem depressed. Is she on the autism spectrum? The characters of Hereditary overtly reference a number of mental disorders, but never one in regard to Charlie.

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Upgrade
Posted on June 23, 2018

Decapitation in Upgrade, First Reformed & Hereditary

Guest Post

Three movies that happen to be playing in multiplexes this week have a surprising connection. Upgrade (Leigh Whannell, 2018) is a sci-fi action film, First Reformed (Paul Schrader, 2017) is a spiritual drama with a dark comedic streak, and Hereditary (Ari Aster, 2018) is a horror film with plenty of family drama for seasoning. When I saw all three in the same weekend I thought I was programming a few days of very different movies, and they are that indeed. But they all feature a particular variety of body horror that brings them into conversation with each other. Not only does the same gruesome thing happen to a character in each film, but it also happens at roughly the same time in each film. If you’re looking to avoid spoilers on these movies, I would skip the section about the ones you have not yet seen, although I won’t be discussing the endings. Instead, I’ll examine how this form of body horror emphasizes the film’s themes and ideas.

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Veronica
Posted on June 21, 2018

Veronica: Possession or Psychosis?

Guest Post

The 2017 Spanish horror film, Veronica, directed by Paco Plaza and now available on Netflix, has been described as one of the scariest horror movies accessible on the streaming platform. Based on a true story, the movie follows a fifteen-year-old school girl who is supposedly possessed by a demon. It should be noted that the movie is very loosely based on real-life events. This article only looks at the narrative of the movie itself, and it questions whether Veronica is actually possessed . . . or whether something else is going on.

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Posted on June 15, 2018

5 Terrifying Documentaries and the Rise of Real Life Horror

Guest Post

A horror film has certain safety measures.  You can turn it off, change the channel, or cover your eyes.  In any movie, you have the ability to just stop watching.  After all, none of it is real.   But what happens when the horrific events on the screen can’t be turned off or changed?  What happens when a film is frightening because it is real, because its horror is the kind that exists beyond the confines of the movie screen? This is the kind of horror that horror documentaries deliver.

The horror genre is enjoying a boom right now.  There’s no denying it.  But the recent surge of horrific content is not limited to the fictional.  Documentary filmmakers are cashing in on their viewers’ attraction to the macabre. Any good documentary seeks to expose a new truth, understanding, or perspective. This work of uncovering becomes terrifying when we realize that what’s been documented is the inescapable horrors of reality, the things we can’t un-see, and the moments we can’t avoid.  What follows are five horror documentaries that feel like fictional horror films.  Their discoveries leave you wondering what’s worse, fact or fiction?

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