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Ghost Story

Posted on December 3, 2025

A Must-Watch for the Holiday Season: Kier-La Janisse’s The Occupant of the Room

Dawn Keetley

It’s the holiday season – and Severin Films has released a new episode of The Haunted Season entitled The Occupant of the Room (an adaptation of Algernon Blackwood’s 1909 story of the same name), now streaming on Shudder.[1] It’s a wonderful film, a perfect eerie ghost story – better, to be honest, than most of the recent fare in BBC’s A Ghost Story for Christmas series. My review, below, includes a brief interview with director and writer, Kier-La Janisse.

Algernon Blackwood’s “The Occupant of the Room” is about a school teacher who arrives late at night at an inn in the Alps, the “Dent de Midi,” only to find there are no rooms available.[2] He is eventually offered a room that is not quite unoccupied – that is to say, it is possibly occupied. The porter tells the teacher that “the real occupant of the room” is an English woman who had insisted on venturing out alone into the Alps two days ago. She hadn’t returned (yet), but may do so at any moment. She may be the “real” occupant of the room, but she’s not the actual occupant of the room – hence its uncertain status as part occupied, part unoccupied. That the room is a liminal space defines the story, which takes place only within its confines, as one occupant, the school teacher, deals with the lingering presence of the other, his possible predecessor but also possibly successor. As Blackwood writes, in a crucial sentence, “One moment the atmosphere seemed subtly charged with a ‘just left’ feeling – the next it was a queer awareness of ‘still here’ that made him turn cold and look hurriedly behind him.”

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Posted on March 7, 2018

The Most Terrifying Story I’ve Ever Read: The Little Stranger

Guest Post

Novelist Alma Katsu is known for injecting horror and the supernatural into historical fiction (“makes the supernatural seem possible,” says Publishers Weekly). Her new book, The Hunger, a reimagining of the story of the Donner Party, has just been published by G.P. Putnam’s Sons.  

 I’ve always loved ghost stories, probably because I grew up in a run-down old Victorian that we were sure was haunted. Writing a ghost story, however, is another matter. I think they’re hard to pull off successfully. Even if they manage to produce a ghost, it’s often done so unimaginatively that you wish the author hadn’t bothered.

You certainly can’t say this about The Little Stranger by Sarah Waters. Although shortlisted for the Booker Prize in 2009, it has not been universally loved, particularly by the fans of Waters’ earlier work. However, I’m in the camp that believes when it comes to art, a little controversy is a good thing. It’s a sign of Waters’ genius that she was able to build ambiguity in her novel without the whole thing falling apart. And in the end, she created a very different kind of ghost story. I wouldn’t say the book is terrifying, but it is terrifyingly well done, and I’ve come back to reread and study her artistry time and time again.

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