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Posted on June 7, 2020

Delivered: Misery Meets Slavery

Dawn Keetley

Released on May 8, 2020, Delivered is the Mother’s Day entry in Hulu’s ongoing Into the Dark anthology horror series from the television branch of Blumhouse Productions. It’s the eighth in the twelve-episode second season and is directed by Emma Tammi, director of The Wind (2018). Delivered has been compared, including by the director itself, to Rosemary’s Baby (1968) and Misery (1990). However, it also, I argue, evokes Toni Morrison’s Beloved (1987) and Jordan Peele’s Get Out (2017). And that makes it even more interesting.

Delivered follows a pregnant Valerie (Natalie Paul), a woman who is clearly ambivalent about her pregnancy. She also seems less than happy with her husband, Tom (Michael Cassidy), and it soon becomes clear that there is another man in her life, Riley (Micah Parker), to whom she refuses to talk. Valerie’s alienation from her life is effectively expressed by Natalie Paul and by director Tammi. She appears to be uninvolved in her life, detached from things and people around her, going through the motions of doctor’s appointments (which she doesn’t tell her husband about) and “Mamaste” childbirth classes. Read more

Posted on July 31, 2018

Castle Rock, the Stephen King Revival, and the Persistence of Secrets

Guest Post

With the premiere of “Castle Rock” on Hulu there comes another entry into the ever-expanding universe of Stephen King adaptations.  Given that he has written just under 100 novels and too many short stories and novellas to count, it shouldn’t be surprising that his work provides a ton of material for directors and creators.  “Castle Rock,” with its three-episode release, works like “Stranger Things.” It’s not a faithful adaptation of the Castle Rock novels–Cujo (1981), The Dead Zone (1979), The Dark Half (1989, and Needful Things (1991).  Instead, it relies on the feelings associated with the world of Stephen King.

Having read the majority of those near 100 novels, I can tell you that the Stephen King universe is tangible.  If you’ve read enough King, you can open any of his novels and feel at home.  The success of “Castle Rock” comes from a meticulous attention to detail in creating that world in a visual medium.  Moreover, the series, much like a King novel, builds its characters at a slow pace.  There are very few characters in King’s world that can be typecast.  They all are built with the care of an artisan designing a one-of-a-kind piece.  “Castle Rock” plays out like a novel, and the slowly burning horror of the show is inherent in its attention to detail.

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