Browsing Tag

Jaws

A man screams to warn people to get out of the ocean.
Posted on June 20, 2025

50 Years Later: Talking the Jaws Franchise

Podcast

We’re celebrating the 50th anniversary of Jaws by looking back at Spielberg’s genre-defining original and its progressively wilder sequels. A quartet of films that not only redefined summer horror but also played a pivotal role in shaping contemporary fears of the ocean, the Jaws franchise embraced genre hybridity, influenced public perception of sharks, and contributed to the rise of the summer blockbuster. But are there other reasons that explain the original film’s enduring cultural relevance? We’re diving in today with spoilers, so stay tuned!

Decorative image that links to podcast.


Works Cited

Caputi, Jane E. “Jaws as Patriarchal Myth.” Journal of Popular Film, vol. 6, no. 4, 1978, pp. 305-326.

Caputi, Jane. “Jaws as Patriarchal—and Ecocidal—Myth.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 9 – 17.

Edgerton, Gary R. “Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 227-244.

Howe, Andrew. “Amity Means Friendship: Jaws and the Post-Vietnam Politics of Perception.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 31 – 45.

Jackson, Kathy Merlock, and Philip L. Simpson, eds. ” This shark, swallow you whole”: Essays on the Cultural Influence of Jaws. McFarland, 2023.

Jameson, Fredric. “Reification and Utopia in Mass Culture (1979).” Cultural Theory: An Anthology, edited by Imre Szeman and Timothy Kaposy, 1990, pp. 60-71.

“Jaws (franchise).” Wikipedia, Wikimedia Foundation, 30 May 2025, en.wikipedia.org/wiki/Special_relativity. Accessed 6 June 2025.

Le Busque, Brianna, and Carla Litchfield. “Sharks on Film: An Analysis of How Shark-Human Interactions Are Portrayed in Films.” Human Dimensions of Wildlife, vol. 27, no. 2, 2022, pp. 193-199.

Lucken, Melissa Ford. “Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 46 – 58.

Melia, Matthew. “Relocating the Western in Jaws.” The ‘Jaws’ Book: New Perspectives on the Classic Summer Blockbuster, edited by IQ Hunter and Matthew Melia, Bloomsbury Academic, 2020.

Rubey, Dan. “The Jaws in the Mirror.” Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23.

Posted on August 19, 2024

Terror In the Eyes: Jaws, Godzilla Minus One and Horror

Guest Post

Kevin Cooney

Godzilla Minus One (2023) altered many fans’ perceptions of the eponymous kaiju. Gone was the childhood joy of watching a man in a rubber suit wreak havoc on meticulous scale models, now overshadowed by a new sense of awe and dread. No longer was the irradiated monster humanity’s savior. Instead, Godzilla emerged anew as a horror villain, a mindless, destructive force with a consistent, murderous, unblinking gaze. However, the human characters have often dominated the conversations about Minus One. Those trauma-laden survivors of war, who must now face the incomprehensible terror of the towering monster, usher Godzilla Minus One back to its horror roots. To understand Minus One’s horror, we need only turn to Jaws (1975) to see how fear and dread reflected in the eyes of characters elicit shock in the viewer.

Read more

Posted on June 20, 2020

Jaws: Novel vs. Film

Dawn Keetley/ Elizabeth Erwin

On the 45th anniversary of the release of the film that made people afraid to go in the ocean, we consider Steven Spielberg’s Jaws (1975) in relation to Peter Benchley’s 1974 novel. Which is better? Or, perhaps a more useful question, what do the novel and film uniquely do? Check out answers by Elizabeth Erwin and Dawn Keetley.

Read more

Posted on July 5, 2015

Jaws, The Slasher, and the Encounter at the Heart of Horror

Dawn Keetley

Directed by Steven Spielberg, Jaws was released on June 20, 1975, and the story of its immense critical and popular success doesn’t need to be rehearsed here. Suffice it to say that not since Alfred Hitchcock’s 1960 film Psycho had a film so terrified audiences.

On every count, Jaws is a masterpiece. This summer marks its 40th anniversary—and it’s still as powerful as it was in 1975. Not least, for much of the film only minimally visible and identified by the unforgettably ominous theme music composed by John Williams, the shark itself is still utterly chilling. And the acting is brilliant—notably Roy Scheider as Chief Martin Brody, Richard Dreyfuss as oceanographer Matt Hopper, and the truly incomparable Robert Shaw as Quint. Read more

Posted on July 5, 2015

Why Jaws Remains at the Top of the Horror Game

Gwen

Today is a symbiotic day for me to write this piece. I spent the day traveling to Virginia and, as I drove further and further south, I had flashbacks to scenes from Wrong Turn (2003) and Jeepers Creepers (2001). At one point I was certain that I drove past the exact point where Darry (Justin Long) climbed down that creepy pipe in the monster’s yard and I was momentarily convinced there were bodies down there. Unlike those in every horror film made, I was smart enough not to go back and investigate. That being said, I pondered something that I heard in a the documentary Why Horror (2014) where someone makes this beautifully obvious yet understated point that horror is really the only genre that leaves a lasting emotional imprint on a person. It becomes a reference point for so many things in our lives. Its images are the darkness beyond the trees, the monster beneath the bed, and the reason we know to never say “I’ll be right back.” Every time I drive south, I immediately picture these scenes from wrong turns down dusty roads. And every time anyone, I mean anyone, goes in the water they certainly conjure up images of…Jaws (1975).

Read more

Back to top