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Nope

Posted on November 6, 2022

Jordan Peele’s Nope, Spectacle, and Surveillance

Guest Post

Film is a medium for conveying a director’s message. In the last five years, Jordan Peele has directed three horror films – Get Out (2017), Us (2019), and Nope (2022) – that are each infused with a message (indeed, many messages). Get Out was a commentary on casual racism in the contemporary US; the film Us focused on social class and the “underground’ existence of the oppressed, but what does Jordan Peele say in Nope? Nope is many things – and one of them is a comment on modern surveillance culture in America.

Nope takes place between 1998 and the early 2000s on a horse ranch just north of Los Angeles, California. There are four main characters in the film, Emerald Haywood (Keke Palmer), OJ Haywood (Daniel Kaluuya), Ricky “Jupe” Park (Steven Yeun), and a giant UFO. The plot centers on the characters’ efforts to get footage of the UFO to prove its existence to an inevitably skeptical public. It is this intended exploitation of the UFO, central to the film, that symbolizes surveillance culture in the United States.

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