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Reviews

Posted on July 11, 2015

Jersey Shore Shark Attack (2012) Review

Gwen

Jersey Shore Shark Attack is full of surprises!

As Horror Homeroom’s first edition of shark week comes to an end we wanted to leave you with a good taste in your mouth. That’s why I want to complete this week with a film that is pure, gluttonous fun. I wish I could convey in words the sheer bliss that I felt after watching this film, but it is something that needs experiencing. It is exactly what it sounds like: a cross between MTV’s “Jersey Shore” and Jaws (1975) and it is nothing short of AMAZING. It is a perfect crescendo for our shark week because it reminds us that sharks can be anxiety inducing but more importantly, thrill inducing. What Jersey Shore Shark Attack boils down to is simple amusement. There is no significant social commentary or any smart themes about nature but there are gun toting, fist pumping Guidos who rid Seaside Heights, NJ of its killer albino sharks. There are minor underlying comments about class and gentrification but if you watch this film you watch it for the fun, the cast, and the death scenes.

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Posted on July 7, 2015

Up from the Depths (1979) Film Review

Elizabeth Erwin

Directed by Charles B. Griffith, Up from the Depths is a gloriously hokey film that is less monster horror and more spoof horror, although that may not have been its intention. Capitalizing on the shark mania created by Jaws, the film echoes its film predecessor in delightfully absurd ways. The plot is a relatively straightforward one. After a significant underwater earthquake, a prehistoric shark rises up and immediately begins feasting upon the vacationers of a high-end resort. That the resort in question looks more like a set reject from Fantasy Island and less an affluent playground is just one of the many ways this film continually reminds us not to take it too seriously.

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Posted on July 1, 2015

MTV’s Scream Review: Pilot

Elizabeth Erwin

When news broke that MTV was going to try its hand at episodic horror and that they had selected the Scream franchise as its model, many were wondering how the slasher elements would transfer to the small screen. Unlike other horror genres that seem an ideal fit for serialized and anthology television, slasher films often use a very specific pacing structure that can be hard to mimic beyond 90 minutes.

As a fan of the franchise, I was dismayed to learn that part of the deal to have Scream come to the small screen was an agreement that effectively took the prospect of a Scream 5 theatrical release off the table. Was the decision a sound one? Based upon the pilot, the jury is still out. If the 1996 Scream film was a self-referential slasher dripping with a 90s sensibility, MTV’s revamped version is a generic mishmash of slasher tropes with a decidedly 2015 flair. The end result is an uneven pilot that dangles enough questions of interest to merit tuning in for episode two.

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Posted on June 30, 2015

First Impressions of MTV’s Scream: #PLLDoesitBetter

Gwen

Throughout the little sneak peaks and the premier episode (airing on MTV at 10pm on 6/30/15) the audience is repeatedly instructed to care about the characters of the Scream TV series. You have to care if the teacher pays too much attention to the girls, care if the girl forgives the jock boyfriend, care if the basketball team wins, that way you care when one of them dies. Unfortunately, aside from the tutorial instructions, there is nothing goading you into actually caring about these characters. While there are noticeable parallels to the Scream movies, I see way more allegiance to the ABC Family series “Pretty Little Liars”. This does not seem shocking since MTV harnessed the creative power of Mina Lefevre (former ABC Family VP of Development and Programming). That being said, sit back and hear me out:

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Posted on June 26, 2015

Burying the Ex: Tedious Zombie Comedy

Elizabeth Erwin

Released June 19, 2015 via Video On Demand, Burying the Ex is a tedious foray into the world of zombie comedy. With characters devoid of any personality and a running time that far exceeds the material, this film achieves neither the humor nor the scares inherent in the zombie comedy genre.

To be fair, fusing horror and comedy is always tricky. While some films excel at blending these two genres (Psycho Beach Party, Tucker and Dave vs Evil), others tend to focus on one part of the equation at the expense of the other (Haunted Honeymoon, I Bought a Vampire Motorcycle). But rarely has a film so completely missed the mark so as to be rendered as utterly boring as Burying the Ex.

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