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A man screams to warn people to get out of the ocean.

Posted on June 20, 2025

50 Years Later: Talking the Jaws Franchise

Podcast

We’re celebrating the 50th anniversary of Jaws by looking back at Spielberg’s genre-defining original and its progressively wilder sequels. A quartet of films that not only redefined summer horror but also played a pivotal role in shaping contemporary fears of the ocean, the Jaws franchise embraced genre hybridity, influenced public perception of sharks, and contributed to the rise of the summer blockbuster. But are there other reasons that explain the original film’s enduring cultural relevance? We’re diving in today with spoilers, so stay tuned!

Works Cited

Caputi, Jane E. “Jaws as Patriarchal Myth.” Journal of Popular Film, vol. 6, no. 4, 1978, pp. 305-326.

Caputi, Jane. “Jaws as Patriarchal—and Ecocidal—Myth.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 9 – 17.

Edgerton, Gary R. “Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 227-244.

Howe, Andrew. “Amity Means Friendship: Jaws and the Post-Vietnam Politics of Perception.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 31 – 45.

Jackson, Kathy Merlock, and Philip L. Simpson, eds. ” This shark, swallow you whole”: Essays on the Cultural Influence of Jaws. McFarland, 2023.

Jameson, Fredric. “Reification and Utopia in Mass Culture (1979).” Cultural Theory: An Anthology, edited by Imre Szeman and Timothy Kaposy, 1990, pp. 60-71.

“Jaws (franchise).” Wikipedia, Wikimedia Foundation, 30 May 2025, en.wikipedia.org/wiki/Special_relativity. Accessed 6 June 2025.

Le Busque, Brianna, and Carla Litchfield. “Sharks on Film: An Analysis of How Shark-Human Interactions Are Portrayed in Films.” Human Dimensions of Wildlife, vol. 27, no. 2, 2022, pp. 193-199.

Lucken, Melissa Ford. “Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 46 – 58.

Melia, Matthew. “Relocating the Western in Jaws.” The ‘Jaws’ Book: New Perspectives on the Classic Summer Blockbuster, edited by IQ Hunter and Matthew Melia, Bloomsbury Academic, 2020.

Rubey, Dan. “The Jaws in the Mirror.” Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23.

Posted on June 28, 2016

Sharkansas Women’s Prison Massacre Gets it SOOO Right

Gwen

Review: “Sharkansas” takes a bite out of my horror comedy lovin’ heart.

TV Movie 2015 | Jim Wynorski | Not Rated | 84 minutes | (USA)

Synopsis: Local fracking shatters the earth’s core, releasing deadly prehistoric sharks with a taste for voluptuous female inmates who recently escaped imprisonment…or did they?

Grade: B+

I am going to break this post in to two parts. The first part being a simple review of the film’s pros and cons…the second part unleashes my love of sharks and includes a rant about something really cool that I noticed about this film.

PART I:

The Nuts and Bolts:

I absolutely loved this movie! The only reason I gave it a B+ instead of an A is because I slightly enjoyed Jersey Shore Shark Attack (2012) more so I had to prioritize. I will be clear; this film is a B horror film that incorporates a lofty flavoring of cheese with its horror. If you are looking for super special effects or a really scary plot, then this movie might not be for you (although I still suggest you give it a shot). Read more

Posted on December 9, 2015

Mako: The Jaws of Death (1976) Review

Elizabeth Erwin

In the pantheon of sharkploitation films, Mako: The Jaws of Death (1976) stands apart as a legitimately interesting take on the shark in horror trope. Unlike its predecessors, the audience isn’t asked to identify with those seeking to wrangle the flesh eating oceanic monsters. Rather, the sharks and their somewhat psychotic human caretaker become the heroes of the piece. Directed by known exploitation auteur William Grefe, the film includes all of the ridiculousness you’d expect of a B film with an underlining message about the importance of protecting the natural world from humans. The end result is a bizarre film that still resonates years later.

Posted on July 11, 2015

Jersey Shore Shark Attack (2012) Review

Gwen

Jersey Shore Shark Attack is full of surprises!

As Horror Homeroom’s first edition of shark week comes to an end we wanted to leave you with a good taste in your mouth. That’s why I want to complete this week with a film that is pure, gluttonous fun. I wish I could convey in words the sheer bliss that I felt after watching this film, but it is something that needs experiencing. It is exactly what it sounds like: a cross between MTV’s “Jersey Shore” and Jaws (1975) and it is nothing short of AMAZING. It is a perfect crescendo for our shark week because it reminds us that sharks can be anxiety inducing but more importantly, thrill inducing. What Jersey Shore Shark Attack boils down to is simple amusement. There is no significant social commentary or any smart themes about nature but there are gun toting, fist pumping Guidos who rid Seaside Heights, NJ of its killer albino sharks. There are minor underlying comments about class and gentrification but if you watch this film you watch it for the fun, the cast, and the death scenes.

Posted on July 9, 2015

Shark Horror, Part 2: The Shark in the Human World

Dawn Keetley

In my first post on shark horror, I wrote about “naturalistic horror,” which puts us firmly in the terrain of the shark, in a world relatively indifferent to humans (except as food), in which the good guys don’t necessarily come out on top (or even alive), and death is random. In this post I want to write about something very different, what we might call “humanist horror.” In this variant, sharks come into our terrain, events (including death) seem governed by human rules (a few unsavory jerks or insignificant extras are eaten), and the good guys come out on top. These films tend to be horror-comedy—and really not that scary.

The hallmark of these films is that they eschew the existential dread invoked by sending humans out into the ocean—into the shark’s world. Instead, they bring the shark to where we live.