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Shudder

Posted on December 3, 2025

A Must-Watch for the Holiday Season: Kier-La Janisse’s The Occupant of the Room

Dawn Keetley

It’s the holiday season – and Severin Films has released a new episode of The Haunted Season entitled The Occupant of the Room (an adaptation of Algernon Blackwood’s 1909 story of the same name), now streaming on Shudder.[1] It’s a wonderful film, a perfect eerie ghost story – better, to be honest, than most of the recent fare in BBC’s A Ghost Story for Christmas series. My review, below, includes a brief interview with director and writer, Kier-La Janisse.

Algernon Blackwood’s “The Occupant of the Room” is about a school teacher who arrives late at night at an inn in the Alps, the “Dent de Midi,” only to find there are no rooms available.[2] He is eventually offered a room that is not quite unoccupied – that is to say, it is possibly occupied. The porter tells the teacher that “the real occupant of the room” is an English woman who had insisted on venturing out alone into the Alps two days ago. She hadn’t returned (yet), but may do so at any moment. She may be the “real” occupant of the room, but she’s not the actual occupant of the room – hence its uncertain status as part occupied, part unoccupied. That the room is a liminal space defines the story, which takes place only within its confines, as one occupant, the school teacher, deals with the lingering presence of the other, his possible predecessor but also possibly successor. As Blackwood writes, in a crucial sentence, “One moment the atmosphere seemed subtly charged with a ‘just left’ feeling – the next it was a queer awareness of ‘still here’ that made him turn cold and look hurriedly behind him.”

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Posted on March 19, 2021

Host and Found Footage in the Age of COVID-19: Horrific Hyperreality

Guest Post

Everything happens over Zoom, now. Even séances. Host (2020), directed by independent British filmmaker Rob Savage, follows a group of friends who make the ill-informed decision to conduct a séance over Zoom. The group is whittled down, one by one, as they confront a supernatural entity they conjure through the internet. Host reveals the Zoom room as a haunted space, one that requires constant negotiation with (un)reality and disruptions in spatiality. While filmmakers around the world have been working with found footage for decades, the social upheaval of COVID-19 created a unique opportunity for horror to address our complicated relationship with technology during this period of forced isolation, collective grief, and desperate uncertainty. Read more

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