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summer horror

A man screams to warn people to get out of the ocean.
Posted on June 20, 2025

50 Years Later: Talking the Jaws Franchise

Podcast

We’re celebrating the 50th anniversary of Jaws by looking back at Spielberg’s genre-defining original and its progressively wilder sequels. A quartet of films that not only redefined summer horror but also played a pivotal role in shaping contemporary fears of the ocean, the Jaws franchise embraced genre hybridity, influenced public perception of sharks, and contributed to the rise of the summer blockbuster. But are there other reasons that explain the original film’s enduring cultural relevance? We’re diving in today with spoilers, so stay tuned!

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Works Cited

Caputi, Jane E. “Jaws as Patriarchal Myth.” Journal of Popular Film, vol. 6, no. 4, 1978, pp. 305-326.

Caputi, Jane. “Jaws as Patriarchal—and Ecocidal—Myth.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 9 – 17.

Edgerton, Gary R. “Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 227-244.

Howe, Andrew. “Amity Means Friendship: Jaws and the Post-Vietnam Politics of Perception.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 31 – 45.

Jackson, Kathy Merlock, and Philip L. Simpson, eds. ” This shark, swallow you whole”: Essays on the Cultural Influence of Jaws. McFarland, 2023.

Jameson, Fredric. “Reification and Utopia in Mass Culture (1979).” Cultural Theory: An Anthology, edited by Imre Szeman and Timothy Kaposy, 1990, pp. 60-71.

“Jaws (franchise).” Wikipedia, Wikimedia Foundation, 30 May 2025, en.wikipedia.org/wiki/Special_relativity. Accessed 6 June 2025.

Le Busque, Brianna, and Carla Litchfield. “Sharks on Film: An Analysis of How Shark-Human Interactions Are Portrayed in Films.” Human Dimensions of Wildlife, vol. 27, no. 2, 2022, pp. 193-199.

Lucken, Melissa Ford. “Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws.” “This Shark, Swallow You Whole”: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 46 – 58.

Melia, Matthew. “Relocating the Western in Jaws.” The ‘Jaws’ Book: New Perspectives on the Classic Summer Blockbuster, edited by IQ Hunter and Matthew Melia, Bloomsbury Academic, 2020.

Rubey, Dan. “The Jaws in the Mirror.” Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23.

Posted on April 18, 2019

8 Vacation Home Horrors: Summertime Madness

Guest Post

Jordan Peele’s recent film Us (2019) cashes in on what horror does best: it takes a comfortable setting and makes it very, very uncomfortable. In Peele’s movie, that setting is a Santa Cruz-area summer home owned by the Wilson family. What begins as a relaxing getaway ends in a bloody showdown between the Wilsons and a murderous foursome that looks creepily similar to them. Like these doppelgangers, the physical spaces of vacation—the house, the nearby lake, the beach boardwalk—become, over the course of the film, decidedly uncanny.[i] The lush verdure of the house’s front yard becomes a menacing jungle in which the intruders easily conceal themselves; the once-placid lake becomes a watery grave; instead of a cozy glow, the den’s fireplace casts a hellish backlight behind the grinning doubles. Read more

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