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supernatural horror

Posted on October 23, 2022

Inheritor of Charismatic Spiritualism- Tangina Barrons in Poltergeist

Guest Post

In Poltergeist (1982), director Tobe Hooper and writer Steven Spielberg created a haunted house that ditched cobwebs in favor of wall-to-wall carpeting, central air conditioning, and a family television set turned scrying mirror. A panoply of characters fill Poltergeist, but no one outshines spirit guide Tangina Barrons. Actor Zelda Rubinstein’s magnetism poured from her 4’3″ frame, evoking the nineteenth-century Spiritualism movement’s tradition of empowered and charismatic mediums communing with the spirit realm.

Poltergeist centers on a suburban California family, the Freelings, and the supernatural abduction of the youngest daughter, Carol Anne (Heather O’Rourke). Diane Freeling (Jo Beth Williams) is a counter-culture figure who emotionally connects the viewer to the otherworldly kidnapping, emphasizing the metaphysical bond between a birth mother and child. Diane’s spouse, Steven (Craig T. Nelson,) is a loving father but absent from most of the family’s daily life, establishing skepticism and confusion. While the hustle of the modern world frays the Freelings, they remain a bound and loving family. Gnawing at that unity is the paranormal kidnapping of their youngest child. That child, lost within the newly-built dream domicile, can only be wrestled from the clutches of a tortured soul, The Beast, with the help of another. Read more

Posted on April 12, 2021

The 40th Anniversary of The Evil Dead: Camp Horror and its Legacies

Guest Post

Forty years ago, Detroit’s Redford Theatre hosted the premiere of The Book of the Dead, a new film by Sami Raimi. A fan of the extravagant premiers popularised by William Castle, Raimi put on a show—custom-made ticket stubs promised the “Ultimate Experience in Gruelling Terror” and two ambulances were ceremoniously parked outside. If that were not enough, two wind tracks were set up to transport attendees to the film’s iconic setting: a dilapidated cabin in the woods. Two years later and the film, renamed The Evil Dead, would make over $29million worldwide; due in no small part to its dedication, on and off screen, to the kind of theatrical spectacle initially created in the Redford Theatre. Read more

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