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The Blood on Satan’s Claw

Posted on June 7, 2025

The Severed Sun – The Blood on Satan’s Claw for Our Time

Dawn Keetley

The Severed Sun (2024) is the first feature film of writer and director Dean Puckett, who has previously directed several documentaries and short films – notably, The Sermon (2017) and Satan’s Bite (2017), both of which explore themes similar to The Severed Sun. Filmed on Bodmin Moor in Cornwall, The Severed Sun follows an isolated community led by a religious leader, The Pastor (played brilliantly by Toby Stephens). The group’s way of living and dress at first suggest that this film is set in the past, but there are modern buildings, slag heaps, industrial ruins – and so perhaps this community is surviving in a near and potentially post-apocalyptic moment (something Puckett has confirmed in interviews). It quickly becomes clear that the community is strictly, even violently, hierarchical, with the uncompromising Pastor as unchallenged leader of the community and the men in the community as rulers in the family. The trajectory of the film is driven by the film’s rebellious protagonist (who also happens to be the Pastor’s daughter), Magpie (Emma Appleton, also brilliantly played). For her resistance – and the film begins with her killing her abusive husband – Magpie is ostracized by her community, labeled a witch. She refuses to be a victim, however, fighting back against the familial and group structures that oppress her and others in the community.

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claw reaches over a table while man looks on
Posted on April 15, 2021

Blood on Satan’s Claw at 50!

Special Issue #4

Among other things, Piers Haggard’s 1971 The Blood on Satan’s Claw was crucial in shaping the folk horror tradition. Near the end of part two, “Home Counties Horrors,” of his influential 2010 BBC documentary, Mark Gatiss shifts from discussing the dominant Hammer films of the 1960s to articulating a “new” kind of horror film that avoids what he calls “the gothic clichés.” “Amongst these,” he claims, “are a loose collection of films that we might call folk horror.” Haggard himself, whom Gatiss interviews, says, “I suppose I was trying to make a folk horror film.”

And there’s so much more: buried demonic remains, a cult of villagers who rape and murder, witchcraft, strangely animate claws, self-mutilation, black fur spreading over human bodies, and invocations of Behemoth!

In honor of the milestone 50th anniversary of what has become an indisputable cult classic, we are thrilled to present ten original essays that explain why The Blood on Satan’s Claw continues to engage fans of all kinds. We hope you enjoy!

DOWNLOAD THE FULL ISSUE OR READ ONLINE

Posted on December 1, 2020

The Blood on Satan’s Claw – CFP for Special Issue #4

Call for Papers

**DEADLINE EXTENDED** TO FEBRUARY 15, 2021

THE BLOOD ON SATAN’S CLAW (1971)

Horror Homeroom’s special issue #4 – Spring 2021

Piers Haggard’s groundbreaking The Blood on Satan’s Claw was released on April 14, 1971. To celebrate its 50th anniversary, we will be running our fourth special issue on Blood on Satan’s Claw and its profound and persistent influence.

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