The history of teenage witches is tied to the uncanniness surrounding adolescence. Signifying metamorphosis, uncertainty, and an uncomfortable liminality, the teenage years are a period of intense biological and psychological tumult. Neither adult nor child, straining for independence yet perpetually fettered by the prohibitions of parental authority, teens exist in an ambiguous, in-between state. Adolescence is demarcated by a continuous struggle wherein attempts to mould an independent, authentic adult selfhood are invariably hampered as one is repeatedly drawn back to the dependent state of the child through the omnipresence of familial demands and constraints. At the same time, there is something frightening and unsettling about adolescence. After all, adolescence is perhaps the time when one feels most acutely, and most intimately, the horror of abjection.
In the loosest possible terms, the abject, as coined by theorist Julia Kristeva, refers to that which does not respect boundaries, those things which annihilate the distinction between inside and outside, self and other. Blood and other bodily fluids are archetypal manifestations of the abject; they arouse revulsion precisely because they transgress the boundaries of the body, signifying a breakdown between the protected core of interiority and the Otherness of the external world. Read more
