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The Curse of La Llorona

Posted on August 6, 2021

What To Do When the Exorcist Is Absent

Guest Post

The Conjuring franchise, after that of Godzilla, is the highest box-office grossing horror film series of all time.  Although this summer’s quiet installment, The Conjuring: The Devil Made Me Do It (2021) wasn’t received with accolades, it nevertheless follows the trajectory set from the beginning of the series—demons are here and they must be handled by the Catholic Church.  Otherwise, the resourceful are left to alternative methods, as the films in the universe repeatedly show.

There’s a good case to be made that demons, as we think of them today, rely heavily on their presentation in The Exorcist (1973).  Although demons occurred in horror cinema earlier than that, The Exorcist delineated them as terrifying monsters, based, in large part, on the premise that they really did exist.  Many movies took that premise and used it to compel both audiences to watch and demons to leave.  Enter Ed and Lorraine Warren. Read more

Patricia Alvarez being arrested
Posted on August 25, 2019

Weaponized Women: Talking The Curse of La Llorona (2019)

Elizabeth Erwin

On today’s episode we’re talking The Curse of La Llorona (2019), Michael Chaves’ ode to the popular Mexican folk story in which a ghostly woman in white stalks and kills young children. Does this horror film introduce some much needed Latinx representation into American horror film or does its potential go unmet? And how does the film’s positioning of a white woman as the heroine impact audience spectatorship? We’re a divided Horror Homeroom crew on this episode, so stay tuned!

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Rafael protects family
Posted on August 22, 2019

Horror’s Exotic Religion? The Marked Ones & Curse of La Llorona

Guest Post

The Conjuring universe had a bumper crop this year with two films being released within four months of each other. The Curse of La Llorona (Michael Chaves, 2019) is technically a spin off—and quite far spun out at that—from the diegesis established in the main Conjuring series and its popular Annabelle sub-series. La Llorona came out in April and the latest chapter on said doll, Annabelle Comes Home (2019), was released in late June. Having grossed nearly $2 billion dollars, the Conjuring franchise shows no sign of slowing down.

A certain intertextuality has long been recognized as a hallmark of horror cinema. The genre is notoriously self-referential. Even so, those who spent a few years drinking in the Paranormal Activity films (2007–2015) beginning in the middle of the last decade will perhaps notice some distinct similarities to The Conjuring franchise. Indeed, The Curse of La Llorona stands out from other films in its universe–similar to the way in which Paranormal Activity: The Marked Ones (Christopher Landon, 2014) relates to the main story of its series. Both involve Hispanic communities, feature a botánica and even involve some of the same rituals associated with Hispanic folk tradition. This could reflect nothing more than the fact that religions that used to be called “syncretistic” bear certain similarities. Nevertheless, this particular form of religion in horror is a form of exoticism for the white mainstream, and it draws on very similar motifs in these two films. Some backstory might be useful right about now. Read more

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