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The Walking Dead

Posted on November 30, 2015

The Walking Dead: Did the Carol/Morgan Scene Go Too Far?

Elizabeth Erwin

SPOILERS BEHIND THE CUT

There is an obvious danger in trying to suss out the success or failure of a season of television that has only reached the midway point. Not only are arcs halfway developed, but things we assume to be true often turn out to be something wholly different.

When I initially sat down to write up my assessment of The Walking Dead’s sixth season thus far, I was not nearly as frustrated with the show as some critics. With three near perfect episodes opening the season and a brilliantly plotted, and even more bravely timed, peek into Morgan’s backstory, my criticisms of the show had been largely confined to pacing issues. And then the fight scene between Carol and Morgan aired.

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Posted on November 28, 2015

We Need to Talk About Judith: Why Children Matter in the Zombie Apocalypse

Guest Post

SPOILERS BEHIND THE CUT

One aspect of The Walking Dead that has always bothered me, and has been commented on elsewhere [i], is the obvious stupidity of having a child within the zombie apocalypse. Season two will forever ignite me in anger because of Rick’s reaction to Lori’s wanting to end her pregnancy because she shockingly thought it might be a good idea not to pop out some more children now that they live in a zombie-infested world.

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Posted on November 27, 2015

Slow Violence, Environmentalism, and The Walking Dead

Dawn Keetley

There is much to say about The Walking Dead and many people saying it, so I feel there’s room before the upcoming mid-season finale of season 6 to write about something a little bit off the beaten track.

Especially since the beginning of season 6, I’ve been thinking that among the many things the zombies of The Walking Dead connote is the slow lurch of catastrophic environmental damage.

My theory is, no doubt, in large part due to the fact that I’ve been reading Rob Nixon’s excellent 2011 book, Slow Violence and the Environmentalism of the Poor. Nixon coins the term “slow violence” to describe long-term ecological devastation, “a violence that occurs gradually,” a “violence of delayed destruction that is dispersed across time and space, an attritional violence that is typically not viewed as violence at all.” Nixon argues that while sudden cataclysmic environmental disasters (typhoons etc.) are easy to narrativize, it’s harder to tell stories about often almost-imperceptible “slow violence.”[i] I would suggest that one place to look for such stories is the zombie narrative—because, for me at least, the term “slow violence” also inevitably conjures up zombies (the slow kind, anyway!).

Season 6 has offered the repeated shot of Daryl (Norman Reedus) on his motorcycle, cresting the hill of a rural road with a horde of walkers looming behind him, as he tries to lead them away from the community of Alexandria. This image suggests the way in which the consequences of a reckless use and misuse of our planet follows slowly but inexorably behind us.

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Posted on October 13, 2015

The Walking Dead Season 6 Premiere Review

Elizabeth Erwin

Grade: B+

While The Walking Dead has played with challenging storytelling before, most notably in the love ‘em or hate ‘em bottle episodes, tonight’s foray into nonlinear storytelling was a bold narrative move that potentially resets the show. Not only does it play with the audience’s perception of what we think we know about these characters, but it also sets up the potential for our hero to become our villain. Instead of turning into a tour de force of pyrotechnics and fighting prowess like last season’s opener, “First Time Again” was actually a very quiet character piece in which every survivor was given a moment to shine.

This was not an episode designed to inspire shock and awe (my bet is that is coming next week) but was the proverbial calm before the storm. For as much as the promos promised a showdown between the ideologies of Rick and Morgan, “First Time Again” was less about grandiose philosophies coming head-to-head and more about the ways in which seemingly unremarkable encounters can alter how we see the characters we think we know. From Abe’s (Michael Cudlitz) dangerous search to feel alive to Sasha’s (Sonequa Martin-Green) shockingly Zen state, the episode took great pains to highlight how these characters and their worldviews are shifting. Read more

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