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Posted on July 7, 2015

Up from the Depths (1979) Film Review

Directed by Charles B. Griffith, Up from the Depths is a gloriously hokey film that is less monster horror and more spoof horror, although that may not have been its intention. Capitalizing on the shark mania created by Jaws, the film echoes its film predecessor in delightfully absurd ways. The plot is a relatively straightforward one. After a significant underwater earthquake, a prehistoric shark rises up and immediately begins feasting upon the vacationers of a high-end resort. That the resort in question looks more like a set reject from Fantasy Island and less an affluent playground is just one of the many ways this film continually reminds us not to take it too seriously.

Posted on July 1, 2015

MTV’s Scream Review: Pilot

Elizabeth Erwin

When news broke that MTV was going to try its hand at episodic horror and that they had selected the Scream franchise as its model, many were wondering how the slasher elements would transfer to the small screen. Unlike other horror genres that seem an ideal fit for serialized and anthology television, slasher films often use a very specific pacing structure that can be hard to mimic beyond 90 minutes.

As a fan of the franchise, I was dismayed to learn that part of the deal to have Scream come to the small screen was an agreement that effectively took the prospect of a Scream 5 theatrical release off the table. Was the decision a sound one? Based upon the pilot, the jury is still out. If the 1996 Scream film was a self-referential slasher dripping with a 90s sensibility, MTV’s revamped version is a generic mishmash of slasher tropes with a decidedly 2015 flair. The end result is an uneven pilot that dangles enough questions of interest to merit tuning in for episode two.

Posted on June 30, 2015

First Impressions of MTV’s Scream: #PLLDoesitBetter

Gwen

Throughout the little sneak peaks and the premier episode (airing on MTV at 10pm on 6/30/15) the audience is repeatedly instructed to care about the characters of the Scream TV series. You have to care if the teacher pays too much attention to the girls, care if the girl forgives the jock boyfriend, care if the basketball team wins, that way you care when one of them dies. Unfortunately, aside from the tutorial instructions, there is nothing goading you into actually caring about these characters. While there are noticeable parallels to the Scream movies, I see way more allegiance to the ABC Family series “Pretty Little Liars”. This does not seem shocking since MTV harnessed the creative power of Mina Lefevre (former ABC Family VP of Development and Programming). That being said, sit back and hear me out:

Posted on June 26, 2015

Burying the Ex: Tedious Zombie Comedy

Elizabeth Erwin

Released June 19, 2015 via Video On Demand, Burying the Ex is a tedious foray into the world of zombie comedy. With characters devoid of any personality and a running time that far exceeds the material, this film achieves neither the humor nor the scares inherent in the zombie comedy genre.

To be fair, fusing horror and comedy is always tricky. While some films excel at blending these two genres (Psycho Beach Party, Tucker and Dave vs Evil), others tend to focus on one part of the equation at the expense of the other (Haunted Honeymoon, I Bought a Vampire Motorcycle). But rarely has a film so completely missed the mark so as to be rendered as utterly boring as Burying the Ex.

Posted on June 21, 2015

Creepshow (1982) and “Father’s Day” Celebrate Patriarchy

Gwen

“Father’s Day” is one of five short stories included in in the film Creepshow (1982). From the minds of George A. Romero and Stephen King, Creepshow pays homage to the EC horror comics of the 1950s while working out the 1980s challenges to patriarchy. I’ll focus on “Father’s Day” here, and and then critique the film’s treatment of the leading representations of patriarchy.